Élie Nysquisot
Autodidact. A late-bloomer; began painting at the age of 17. Has had one small private 2-man exhibition; along with one commission for an installation at an university. A blossoming semi-professional.
Discover contemporary artworks by Élie Nysquisot, browse recent artworks and buy online. Categories: contemporary american artists. Artistic domains: Painting. Account type: Artist , member since 2013 (Country of origin United States). Buy Élie Nysquisot's latest works on Artmajeur: Discover great art by contemporary artist Élie Nysquisot. Browse artworks, buy original art or high end prints.
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Little Bouquets • 3 artworks
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Biography
Autodidact. A late-bloomer; began painting at the age of 17. Has had one small private 2-man exhibition; along with one commission for an installation at an university. A blossoming semi-professional.
- Nationality: UNITED STATES
- Date of birth : 1982
- Artistic domains:
- Groups: Contemporary American Artists
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Philosophy of the Vanguard
Being poised in anarchic tastes, I consider the parallactic to be subversive to more objective forms of empiricism. Through mereological nihilism, the denudation of observation results in pre-established harmony. I contend that form is meaningless.
Quite possibly, only the analysis of the anatomy between space and distances (and the transfiguration of their co-ordinates
(form) into their composite potential) exists in how to evolve expression through art.
A Brief Biography
Autodidact. A late-bloomer; began painting at the age of 17. Has had one small private 2-man exhibition; along with one commission for an installation at an university. A blossoming semi-professional.
A Method of painting the Subject
Currently, on studying some of Rembrandt's techniques: of rusting zinc white, etc.; it has become my desire to
to achieve something similarly modal, at least. I am working on sketches to practice and refine the technique of
painting piecemeal (section by section); to paint without a tonal base, thus disconnecting the picture, as a composition,
by the division of hues. I want to use this method to paint the face, as applied to portraits, etc.
Using only my eye, I would use hues, based from the overtones of the face or Subject. I would examine the
technical aspects (of the Subject); then, simply extend the remainder of the picture, making use of tertiary colors
& half-tones. I imagine the painting would appear centrifugal, creating a type of referential motion.