Painting titled "The Gallerist's Por…" by Eve B'Ay, Original Artwork, Oil

The Gallerist's Portrait Painting by Eve B'Ay

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400 px
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Use on any type of media	Yes
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Original Artwork Painting, Oil

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Dimensions are available on request
Categories Expressionism

About this artwork: Classification, Techniques & Styles Oil Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists[...]

Eve B'Ay

Hungary

Éva Bednay (Eve B’ay) Fine Artist, Painter was born in Budapest, May 1. 1927. In 1946 she graduated from the Hungarian College of Arts and Crafts. Her masters were Endre Domanovszky, Aladár Kazciány, Erzsébet Páris.
At the age of 43 she emigrated from Hungary. She lived in New York between 1972 and 1974. She had several exhibitions in New York, Cleveland and Chicago. After her years in the USA, she settled down in West-Germany, Bonn. During her study trips she visited many European countries. After 1989 she has been working parallelly in Bonn and Budapest.
She developed her distinctive style during the 60’s. Her new way of using materials and vibrant colours make her figurative pictures so diverse. Additional to oil, she also made use of Eastern Asian varnishing techniques and implementing various materials, such as plastic, glass, organic leaves. Her change of style during the 80’s was marked by the usage of silk and oil crayons. She has become recognized with her collage-like creations. She had two large-scale retrospective exhibitions in The Netherlands and in Budapest, in 2009 and 2010, respectively. Her monography has been published in 2010 in Budapest in three lenguages (Hungarian, German and English).