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TEMPS VIOLET; UN PEU DE VENT JARDIN D'EDITH (2013) 조형물 Don Dougan 로
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- 포장 (상자 또는 판지 포장) 모든 작품은 세심하게 보호되고 보험에 가입된 프리미엄 캐리어와 함께 배송됩니다.
- 트레킹 소포가 구매자에게 배달될 때까지 주문 추적. 실시간으로 소포를 추적할 수 있도록 추적 번호가 제공됩니다.
- 지연 3~7일 이내에 전 세계 배송 (추정)
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- 추적 가능한 온라인 정품 인증서 진품 인증서는 작품 코드를 스캔하여 언제든지 온라인으로 확인할 수 있습니다.
- 아티스트 가치 인증 전문가는 예술가의 작업과 경력을 연구하고 독립적이고 신뢰할 수있는 평균 가격 값을 설정합니다. 평균 가격 가치는 예술가를 주어진 기간 동안 가격대에 위치시킵니다. 전문가는 특정 작업에 대해 보다 정확한 추정치를 설정하도록 요청할 수도 있습니다.
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원작
조형물,
혼합 매체
- 치수 높이 3in, 폭 10in / 3.50 kg
- 야외에 적합? 아니오, 이 작품은 야외에 전시할 수 없습니다
- 카테고리 조각품 {가격} 이하 추상 미술
In 1935, after several years surviving as as a street singer, Piaf was discovered by a the owner of a club off the Champs-Élysées. Her nervous energy and small stature inspired the nickname that would stay with her for the rest of her life: La Môme Piaf ("The Little Sparrow"). The personal life of Édith Piaf was dramatic, and rose to international stardom in the 1940s as a symbol of French passion and tenacity.
Paris on December 19, 1915 - French Riviera October 10, 1963
A feeling of what Edith's windy back garden might be like.
관련 테마
As a child Don began collect and draw rocks, fossils, and seashells. These activities grew into an interest in paleontology and archaeology, but it was the modeling of clay dinosaurs and making of wooden boats that lead him to become a sculptor. He learned to work wood by helping his father in his garage woodshop, and by high school Don had started teaching himself to carve both in wood and stone, and at university he continued the auto-didactic exploration of working stone as the school he attended had no stone-carving sculpture faculty. Don also worked for a collector of antique hand tools for many years, and through his work in researching, writing, and displaying literally thousands of those tools for the collector Don developed an avid interest in the many types of hand tool and their traditional — and not-so-traditional — usage. When the collection became the core of a history museum in North Georgia Don had the additional experience of learning to display and present the collection in a more-formal manner to a different standard for the public. Each of these learning experiences has come-out in his artwork and in the tool-making he often does to create some of the works that require that ‘one-off’ approach.
Though stone is a primary material in which he sculpts, other materials and found objects are also worked in conjunction with the stone to explore the potential expressiveness of each combination. His work is firstly about the material — through the direct interaction of his hands with each material he delves into what those materials can express about his perceptions of the world. The auto-didactic learning process is also an essential part of his work — he tries to explore something new in each new piece; whether it is a new material or combination-of-materials, a new tool, a new approach or technique, or a new premise or idea.
Don has given workshops and taught university-level classes in sculpture and stone-carving in several schools in the metro-Atlanta area, as well as in Italy and in Finland. His work has been exhibited widely in the Southeast region, across the nation, and internationally.
Born 1952 Portland Oregon
BFA Atlanta College of Art, 1975
MFA Georgia State University, 1990
Visiting Sculpture Professor Cortona, Italy — University of Georgia Studies Abroad Program 1993, 1995, 1998, 2001, 2003, 2005
Artist-In-Residence Cortona, Italy — University of Georgia Studies Abroad Program 1991, 1997
Visiting Sculpture Professor Imatra, Finland — South Karelia Polytechnic 2004, 2005
Sculpture Instructor — Atlanta College of Art 1986-2006
Instructor of 3D and Sculpture — Georgia Perimeter College 1995-2011
Instructor of 3D and Sculpture — Gainesville College 1999