La valse parisienne (2018) Collages by Dominique Kerkhove (DomKcollage)

Sold by Dominique Kerkhove (DomKcollage)

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This artwork is framed
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This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Collages, Collages on Paper
  • Dimensions 22.4x28.4 in
    Dimensions of the work alone, without framing: Height 19.7in, Width 25.6in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is framed (Floating Frame)
  • Categories Collages under $500 Figurative Pop Culture
MR20180713 - La valse parisienne - 50 x 65 cm - Torn posters (Paris) glued together - Collection Privée. Inde "C'est la valse parisienne - Tourne, tourne à deux - C'est la fin de la semaine- Vive les amoureux.." Mixe d'appropriation entre la chanson "la valse parisienne" de Francis Linel[...]
MR20180713 - La valse parisienne - 50 x 65 cm - Torn posters (Paris) glued together - Collection Privée. Inde

"C'est la valse parisienne - Tourne, tourne à deux - C'est la fin de la semaine- Vive les amoureux.."

Mixe d'appropriation entre la chanson "la valse parisienne" de Francis Linel et du symbole de lumière de la silhouette Corps blanc de Jérome Mesnager.

"It's the Parisian waltz - Turn, turn in pairs - It's the end of the week - Long live lovers..." A mix of appropriation between Francis Linel's song "la valse parisienne" and the light symbol of Jerome Mesnager's silhouette Corps blanc. Private collection. India

Related themes

AppropriationCollageTorn PostersAffichesJerome Mesnager

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Kerkhove Dominique, alias Dom(K) is an artist, Euro citizen, tireless walker and patient observer, he search on the walls of cities what makes my raw material: the poster. Ecological Realistic, he use what[...]

Kerkhove Dominique, alias Dom(K) is an artist, Euro citizen, tireless walker and patient observer, he search on the walls of cities what makes my raw material: the poster. Ecological Realistic, he use what already exists to transform it. He create "Made-Ready" (or collages) from torn posters. He breathe a new destiny into an ephemeral urban creation to make a contemporary work that fits into time. Free from the straitjacket of a specific doctrine, he recognize, however, a technical proximity used by certain artists: exploitation of under posters (Dufresnes), all over (Pollock), take-off (Vostell). Made-Ready is not a style of collage but an approach that expresses itself through a plurality of pictorial forms whose central element is the paper (poster) resulting (torn) from an urban context. Despite various attempts at hierarchical classification, my work is in no way allegorical. It is concrete and materialistic. It is a narrative work of incarnation. I consciously try to give body to the sensations and perceptions, ideas and values, which constitute my artistic universe. With his Made-Ready he translate his emotions into evolving series (questionings) whose themes address a society in full industrial, moral and climatic change. Made-Ready" where he invite the spectator to react on his own certainties and evidences. A subtle game between voluntary and involuntary memory. Close to the art brut, I define my resolutely abstract positioning for a thematic yet figurative of our society."

The Artist was highlighted in an article in Artmajeur Magazine:

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