Leasing des Werks „ Plane-Trees “ von June Stapleton mit Kaufoption
Die Gemälde von June Stapleton können mit Kaufoption gemietet werden
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Informationsanfrage zum Thema Leasing "Plane-Trees"
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Häufig gestellte Fragen
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Über den Autor
Born in Saltaire, Yorkshire in 1949.
Studied art at Manchester then Leeds College of Art and Design between 1967 and 1971
Moved to Vaucluse, France in 1978 with partner Paul Stapleton.
Before building our atelier, I began painting in watercolour, taking my chair and box of paints out into the countryside, inspired by the surrounding landscape and especially the giant Mount Ventoux. Much of my work is marked by the triangular shape of the mountain.
I also love to paint trees, both wild and cultivated, the valley where I live has fruit orchards and vines, and I am attracted to the symmetry of the planting. I like the long view but also the intimacy of small vignettes taken from my photos.
Once the studio was ready, and I could move on to larger work, I began to paint in acrylic. I find a particular affinity with Chinese calligraphy paper, very fine but very strong, and developed a technique similar to monotype so that the water based paint would not tear the paper. Once dry it is very resistant.
All my paintings are done in the studio, from impressions made on me while out walking, and photos I have taken.
Eventually I returned to painting on canvas, still using acrylic, but there is always a complementary series of work on paper as well.
My work has been evolving over the last 30 years and the landscape around me has continued to be my inspiration.
My paintings are influenced by 20th century European art, American abstract art since the 50's, also by Chinese and Japanese prints.
I exhibit locally and in Europe, and my work is in private collections around the world.
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Nationalität:
VEREINIGTES KÖNIGREICH
- Geburtsdatum : 1949
- Künstlerische Domänen: Werke von professionellen Künstlern,
- Gruppen: Professioneller Künstler Zeitgenössische Britische Künstler
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