Weather or Not (2022) Drawing by Darren Jekel

Charcoal on Paper, 24x18 in
$857
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  • Original Artwork (One Of A Kind) Drawing, Charcoal on Paper
  • Dimensions Height 24in, Width 18in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $1,000 Impressionism Landscape
Drawings Statement: I want my drawings to be as energetic and adventurous as my paintings and to influence and inform each other. Charcoal becomes painterly when it gets wetted with a brush, or smeared with a finger on a drawing, and I have developed a practice of drawing with soft willow vine charcoal directly on top of my oil painting canvases. I [...]
Drawings Statement: I want my drawings to be as energetic and adventurous as my paintings and to influence and inform each other. Charcoal becomes painterly when it gets wetted with a brush, or smeared with a finger on a drawing, and I have developed a practice of drawing with soft willow vine charcoal directly on top of my oil painting canvases. I attempt to draw landscapes like van Gogh, and figures like Raphael. I studiously copy them mark-by-mark frequently for practice. I take the advice of my teacher Wayne Thiebaud who once told me, “learn from the masters".

Shipping: I used the highest quality soft willow vine charcoal that I can find and draw on archival, acid free paper. This artwork is offered UN-FRAMED and it is shipped rolled in a tube. This makes it significantly more affordable and, provides you with your own frame choices, and is safer to transport. I use for my work standard frame sizes so providing your own should be easy.

Master of Visual Art Degree - MFA, Maryland Institute, Mt. Royal School of Painting.
Bachelor Arts Degree – BA, University of California, Davis

Primary Influences: Renaissance; Raphael figure drawings; Post-Impressionists, Van Gogh Landscapes.

Darren Jekel is married and fathers two daughters in northern California’s wine growing region.

Related themes

FigurativeBoldDarks LightsExpressionismMoody

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I love the messy brush that makes a neat stroke. An American artist, from the San Francisco Bay Area, I got to know Wayne Thiebaud at UC Davis. “Good artists borrow and great artists steal”, so with bright light [...]

I love the messy brush that makes a neat stroke. An American artist, from the San Francisco Bay Area, I got to know Wayne Thiebaud at UC Davis. “Good artists borrow and great artists steal”, so with bright light I stole his 'heavy brush' sensuality and his California color.  Oil is my preferred medium and I often mix it up with a kitchen blender, using eggs and other mixtures to make a mayonnaise-like medium that I call ‘emulsion’.   I experiment with materials restlessly- recklessly?  I stole Anselm Kiefer. Now, when I paint I feel like an alchemist searching for an unreachable prize- a paradise that I ache and pine for. I zoom in up close with a grid and graphically search and search. But of course, there is no paradise. Facing that truth is where the focus of much of my work comes through, with pictures that are physical, modern, earnest, and unsentimental. Originally my paintings were completely non-objective, abstract. They soon switched to landscapes with far off horizons and narratives of dark longing. Currently dancing females have emerged center stage and my painting appears to be moving beyond ‘post-modernism’ to a place less cynical and ironic. Now I am interested in a back to basics, meta-modern earnestness. But still the most astoundingly deep and existential thrill for me comes when I recognize that I have finished a painting and find that my art is not mine; it just grew on the wall.

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