Segni Visibili (2025) Textile Art by Dade

Textile Art on Fabric, 19.7x19.7 in
$1,867.94
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Seller Dade
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Fine art paper, 8x8 in

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Mounted on Wood Stretcher frame
quest'opera fa parte di una serie di lavori che ho prodotto ed esposto presso il Museo Etnografico della Bassa Val Sesia (NO). LEGAMI INVISIBILI (serie). Le nostre emozioni si intrecciano a strutture invisibili, a limiti impalpabili che trattengono pensieri e ricordi. Esistiamo immersi in tracce che non vediamo ma sentiamo, frammenti sospesi che riaffiorano [...]
quest'opera fa parte di una serie di lavori che ho prodotto ed esposto presso il Museo Etnografico della Bassa Val Sesia (NO)

LEGAMI INVISIBILI (serie)
Le nostre emozioni si intrecciano a strutture invisibili, a limiti impalpabili che trattengono pensieri e ricordi. Esistiamo immersi in tracce che non vediamo ma sentiamo, frammenti sospesi che riaffiorano nelle crepe della materia e nelle pieghe del tempo. Alcuni si dissolvono senza lasciare segno, inghiottiti dal fluire degli eventi, mentre altri si imprimono nella memoria e nella materia, diventando testimoni indelebili di ciò che abbiamo attraversato.

Attraverso un processo artigianale, ho lavorato la carta manualmente, incorporando la rete metallica, guidandone la formazione e integrandola con la materia nel suo processo di trasformazione creativa. Questo elemento, carico di significato, diventa il simbolo delle gabbie mentali che la società, la famiglia o noi stessi costruiamo attorno a noi, trasformandosi in parte integrante del racconto visibile.
La carta, sovrapposta al tessuto tinteggiato con la tecnica shibori, genera un equilibrio tra struttura e fluidità. Il colore, assorbito e modulato dal tessuto, si stratifica attraverso ogni piega, nodo o pressione, raccontando una storia di trasformazione. Il caso e l'intenzione si mescolano e si fondono, dando vita a sfumature e texture vibranti, capaci di evocare emozioni profonde.
La cucitura manuale non è solo un dettaglio estetico, ma un segno di ricomposizione, un gesto che porta con sé la bellezza dell’imperfezione. La filosofia Wabi-Sabi elogio dell'imperfezione, dell'inafferrabilità e della decadenza naturale, si ritrova nelle cuciture a “Piccoli punti” questa definizione racchiude il cuore delle cuciture a Sashiko Boro, ogni punto crea un ritmo lento e preciso, una sorta di meditazione che ci porta in un viaggio interiore, in ogni filo tirato, in ogni buco, si cela una storia che vale la pena di scrivere, riparando e rinforzando un oggetto che va oltre la materia, dove la stratificazione e il recupero dei tessuti trasformano frammenti usurati in nuove forme di esistenza. È un percorso che trova un parallelo nel Kintsugi, dove le crepe vengono esaltate con oro, trasformando la frattura in un segno di “rinascita e bellezza."

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Brief Biographical Notes - Dente Daniela in art DADE. Painter, Engraver, Restorer, Cultural worker. Born and grown in Milan, she studies art, practice in restoration workshops and have experiences in various creative [...]

Brief Biographical Notes - Dente Daniela in art DADE
Painter, Engraver, Restorer, Cultural worker. Born and grown in Milan, she studies art, practice in restoration workshops and have experiences in various creative workshops. Since 1987 she works as a restorer both with the Conservative and the painter (on canvas, wooden tables, stone and frescoes), for “Superintendence of Cultural Heritage”, and for private clients (Convent of the Divine Motherhood, Concesa -- SS.Redentore Church, Bettola Pozzo d’ Adda -- Church of SS. Gervasio and Protasio, Trezzo sull’Adda -- Church of St. Louis, Cornate d’Adda ...). As an artist, she participates in group exhibitions, personal and international exhibitions of contemporary art in Italy and abroad. His creative journey leads her to investigate and experiment with techniques such as perspective anamorphosis, modeling clay, blown glass painting of the '500.. She learns the technique of leaded glass windows, and also cardboard, ceramic painting, and more... Portraiter, landscaper, painted animals and nature in general, from figurative to more traditional graphic influences, the abstract, the most recent work are synthetic and compact, where she hatched a more solid and thoughtful composition, in which there are stabs of sharp, sometimes irreverent, humor.
Over the years she teaches restoration, chromatology and creative subjects in primary schools, she is art reference of “Associazione Culturale Milanocosa”, she has worked for ten years as a voluntary (ABIO), Unit of the Pediatric Hospital of Melzo; she is interested in polluted environment and is an animal lover, she is convinced that peace is actively engaged in the defense of human rights and is part of the Women in Black. Her social commitment is met in the provocatory and reflective themes she deals with, and in the using of recycled materials.
In his creations are found also his carrer as a restorer and the influences of her studies in martial arts: Aikido, IAIDO, painting and spirituality of Bushido, the simplicity, the values of the extended culture, expressed iconographically with coexistance of West and East. She embraces the philosophical thought of deep ecology, or Ecosophy, which focalizes most on the value of nature by itself and the global value of all species. She is part of the artists of Museo della Permanente e Belle Arti di Milano. In 2015 she founds the Movement Arte Inessente.

Some of her ARTWORKS IN PERMANENT EXPOSITION: MoMa, Museum of Modern Art, New York, NY, U.S.A.; Biblioteca Nazionale Braidense, Milano (I); Biblioteca dell’Università di Betlemme. West Bank. Betlemme, Palestina; Biblioteca, Pälkäne, Finland ; Historical and Cultural Society, Hjemkomst Center, U.S.A. ,Moorhead Minnesota; Museo del Magma, Roccamonfina (CS), Italia; Museo del F.A.N.G.O., Giampilieri, Italia; Fondazione Roberto e Gianni Radice, Mi (I); The Museum of Instant Images, Chaam (Pays Bas) The Netherlands ; Quai des Arts, Argentan, France; …

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