Exodus (2020) Painting by Anima E Mela

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Wood
  • Dimensions Height 31.5in, Width 19.7in
  • Framing This artwork is not framed
  • Categories Abstract
Sometimes, the place where we live becomes unbearable, for whatever reasons. We try to resist but whatever we do, things do not change, nor people. When you feel you're not at the right place, there is only one choice - leave it. Yes, you'll run away. But you will avoid danger and a bad state of mind. And you will see that things change and[...]
Sometimes, the place where we live becomes unbearable, for whatever reasons. We try to resist but whatever we do, things do not change, nor people. When you feel you're not at the right place, there is only one choice - leave it. Yes, you'll run away. But you will avoid danger and a bad state of mind. And you will see that things change and go better. Really.

Il arrive que l'endroit où nous vivons devienne insupportable pour nous, quelles qu'en soient les raisons. Nous allons essayer de résister mais peu importe ce que nous faisons pour améliorer les choses, rien ne fonctionne - ni le lieu, ni les gens ne changent. Quand vous sentez que vous n'êtes pas au bon endroit, il n'y a qu'une seule solution: partez. Oui, vous fuyez. Mais vous éviterez les dangers et un état d'esprit insupportable. Et vous verrez que les choses changent alors et que tout ira mieux. Vraiment.

Related themes

Lieu De VieThe Place Where You LiveMaisonHouseHome

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I have always had a passion for art, design and natural materials (paper, wood, iron, metals, fabrics). This passion emerges through acrylic paint, because it offers me a rough touch that approaches craftsmanship.[...]

I have always had a passion for art, design and natural materials (paper, wood, iron, metals, fabrics). This passion emerges through acrylic paint, because it offers me a rough touch that approaches craftsmanship. The need for friction, expression of a contradiction which can reveal a beauty invisible to the fleeting glance, reinforces me in the idea that perfection is located in imperfection, knowing that perfection, such as 039;she expresses herself commonly, seems too smooth to me and leaves little room for the imagination. Acrylic paint, sometimes augmented by an insertion of material, provides me with an opposition to 'unnatural' materials. (plastic...). Life is made of ups and downs, and the oppositions that I try to create (e.g. the opposition of gold and plaster, paper or wood) represent precisely these necessary oppositions - there is no shadow without light. Through the gaze that I impose on the viewer, I try to provide them with an opening to unusual associations, things that are a priori hidden, and philosophical and psychological questions; on nature and life.

I-CAC certified artist

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