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Architecture Imaginaire (Double vue) (2022) Painting by Claude Duvauchelle
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Original Artwork (One Of A Kind)
Painting,
Acrylic
/
Watercolor
/
Marker
/
Ballpoint pen
/
Collages
/
Tape
on Paper
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Dimensions
28.4x20.5 in
Dimensions of the work alone, without framing: Height 19.7in, Width 15.4in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $5,000 Figurative Architecture
Cette technique de travail (l'assemblage de deux ou plusieurs fragments de dessins), génére pour moi une surprise, me permetant de devenir, en plus du concepteur de l'œuvre, le spectateur de mon propre travail, en m'amenant vers des contrées que je n'aurais pas eu l'idée d'explorer.
Ces deux dessins imaginaires ont été réalisés au stylo bille et marqueur, avec ajout de café sous forme de lavis et rehauts d'acrylique plus ou moins importants.
This imaginary architecture is made up of two drawings, each representing a different architecture, after tearing them apart, I put them together, using tape, on thick paper, which gives this improbable view of an unbalanced architecture.
This work technique (the assembly of two or more fragments of drawings), generates a surprise for me, allowing me to become, in addition to the designer of the work, the spectator of my own work, by bringing me to lands that I would never have thought of exploring.
These two imaginary drawings were made with a ballpoint pen and marker, with the addition of coffee in the form of a wash and more or less important acrylic highlights.
Related themes
Claude Duvauchelle is a contemporary French artist whose work has been centered on the human body for the past two decades. This constant fascination serves as a rich source of inspiration, enabling him to express the deep emotions, anxieties, and hopes of modern humanity. Through his art, Duvauchelle explores the alienation and struggles brought on by the violence of modern civilization, portraying humanity as regressing to a primal state, enslaved by its most destructive instincts.
Duvauchelle’s creative process is marked by a continuous evolution of techniques and themes, which allows him to avoid repetition and keep his work fresh. His early influences include the Quattrocento painters, particularly Mantegna’s "Dead Christ," where he was drawn to the dramatic interplay of light and shadow, martyrdom, and crucifixions. Géricault’s romanticism and the tragic body also left a significant imprint on his artistic journey, adding layers of sublimation to his tragic depictions.
In his recent works, Duvauchelle translates these classical inspirations into a modern context. He aims to illustrate the downfall of today’s world, capturing the alienation and evil rooted in both societal and individual violence. His allegorical representations speak to the universal human condition, reflecting the programmed decay of contemporary civilization.
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Nationality:
FRANCE
- Date of birth : 1953
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
CLAUDE DUVAUCHELLE Interview
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