Résurrection (2021) Painting by Christiana Visentin Gajoni

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This artwork is framed
This artwork appears in 3 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions 27.6x41.3 in
    Dimensions of the work alone, without framing: Height 25.6in, Width 39.4in
  • Framing This artwork is framed (Floating Frame)
  • Categories Paintings under $20,000 Surrealism Spirituality
Plus qu'à une renaissance, qui ferait écho à la théorie de la réincarnation, il s'agit ici d'une véritable résurréction "christique" des corps. Les trois entités superposées qui s'élèvent sont en effet la même personne à la source absolue, qui ressuscite dans un seul instant de vie . Par delà Chronos et l'espace[...]
Plus qu'à une renaissance, qui ferait écho à la théorie de la réincarnation, il s'agit ici d'une véritable résurréction "christique" des corps. Les trois entités superposées qui s'élèvent sont en effet la même personne à la source absolue, qui ressuscite dans un seul instant de vie . Par delà Chronos et l'espace voilà une Trinité suspendue entre deux mondes lymbiques, là où rythmes, cadences et pulsations du coeur tel que nous les connaissons, se trovent annihilés. A cet instant T de la lévitation, il y a superposition des temps et des anatomies qui résultent en un seul et même instant tout comme un seul et même corps. Que devient à ce point le "moi je" si non la parcelle d'un Dieu qui aime se mettre à l'épreuve?
Aussi il est intéressant de se poser la question de la pérennité de l'être qui semble ici se diviser pour mieux s'unir dans l'Anima Mundi.
Il y a nouvelle utilisation du thème récurrent des trois générations de femmes: La grand-mère, la mère et l'enfant ne font ici qu'un seul et même corps dans une ultime fusion éternelle.
Ce tableau est un dernier souffle de la vie terrestre prêt à resussciter sous forme d'entité dématerialisée dans l'au-delà. Toile spirites, il en est, elle demeure cependant énigmatique avec encore bien des mystères irrévelés qui font tout l'intérêt de cette oeuvre aux confins de la mort et de la vie.

Related themes

Christiana VisentinRenaissancePeintureRenaissancesMort

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Christiana Visentin was born in Rome. Daughter of the actress Cristina Gajoni and the pianist-composer Alberto Visentin, she is also the granddaughter of the Milanese painter Adriano Gajoni. Very[...]

Christiana Visentin was born in Rome.

Daughter of the actress Cristina Gajoni and the pianist-composer Alberto Visentin, she is also the granddaughter of the Milanese painter Adriano Gajoni.

Very early on she attended the workshop of her grandfather, Adriano Gajoni, in Milan, which, after his death, was taken over by his students.

As a teenager, fascinated by her mother's vocation as an actress, she began training in dance and comedy. She studied classical music and piano at the same time like her father.

While a career in the entertainment world would have been the most obvious choice for her, she was an actress during her early years, it was drawing and painting that ultimately established themselves in her life as the most obvious path. .

Beginning her career as a young film actress, she moved to Paris to study drawing and painting, she attended Fine Arts at the Académie Montparnasse and has since devoted herself to her art as a painter.

His pictorial movement is called Magical Neorealism.

She initially specialized in the study of artistic genres, portrait, still life, drawing inspiration from Renaissance painters and their techniques which she studied for years, notably the practice of chiaroscuro, sfumato allowing the glaze to be brought to a high degree of refinement on its oil paintings.

Her attraction to great artists, particularly those on the stage, led to a series of paintings dedicated in particular to Michael Jackson.

She currently works in her workshop in Auvers-sur-Oise.

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