Concerto de Vivaldi - Sold by Les Peintres Québécois (2012) Painting by Charles Carson

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Copyright - Tous droits réservés. Œuvre de Charles Carson, grand maître en beaux-arts "créée de l'esprit", par le seul fait de sa création, d'un droit de propriété immatériel exclusif et opposable à tous. Ce droit comprend des attributs de nature intellectuelle et morale, ainsi que des attributs de nature économique [...]. [...]
Copyright - Tous droits réservés. Œuvre de Charles Carson, grand maître en beaux-arts "créée de l'esprit", par le seul fait de sa création, d'un droit de propriété immatériel exclusif et opposable à tous. Ce droit comprend des attributs de nature intellectuelle et morale, ainsi que des attributs de nature économique [...].

Il est interdit sans l'autorisation écrite de Charles Carson, de reproduire en tout ou en partie, sous quelque forme que ce soit, l'œuvre originale, les textes ou les reproductions photographiques de l'artiste.

Il est strictement interdit de copier l'œuvre de l'artiste en tout ou en partie y compris l'imitation déguisée, sa façon de faire ou sa forme d'écriture picturale qui lui est unique et exclusive et protégée par le droit d'auteur. . .

Conformément à la loi sur le droit d'auteur et tout contrevenant sera passible de poursuites judiciaires pour violation du droit d'auteur.

Charles Carson, grand maître en beaux-arts, en Galerie depuis 1978

ADDENDUM

Copyright – All rights reserved. All original works of Charles Carson which are a création of the mind, by the sole act of their creation, produce an exclusive property right opposable to all third parties. Said property right includes all intellectual, moral and economic interests in said works.

It is strictly prohibited to reproduce, without the artist’s consent, in whole or in part, in any form whatsoever, the original work, text or photographic representations of the artist’s original work.

It is strictly prohibited to copy the artist’s work, without the artist’s consent, in whole or in part, including any form of imitation, technique or pictorial writing that is exclusive to the artist and protected by copyright law.

In conformity with international copyright laws, all infringements may be subject to judicial proceedings.

Summary of key provisions of the Canadian Copyright Act (Copyright Act
(RSC (1986) ch. C-42) which is similar in scope to American copyright legislation and international conventions to which both nations are signatories:

The reproduction or communication to the public of all or a significant part of a work subject to copyright protection, without the written authorization of the copyright holder, constitutes an infringement. The infringing party cannot claim that he was acting in good faith. The fact that the copyright was not registered is also not a defense.
Where a person infringes copyright, the person is liable to pay such damages to the owner of the copyright as the owner has suffered due to the infringement and, in addition to those damages, such part of the profits that the infringer has made from the infringement and that were not taken into account in calculating the damages as the court considers just.

Charles Carson, grand master of fine art, In gallery since 1978
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Fine Art Magazine – New York City, USA – Winter 2012/2013 by Victor Forbes VIEWING A CHARLES CARSON painting is akin to reading a Hemingway short story. A[...]

Fine Art Magazine – New York City,

USA – Winter 2012/2013

by Victor Forbes

VIEWING A CHARLES CARSON painting is akin to reading a Hemingway short story. A Clean, Well-Lighted Place comes to mind. Both are exquisitely sparse, expertly rendered. Immersed in a collection of Carsons in a gallery or museum is like having a full-length novel unfold right before your eyes. Indeed, the artist himself notes, “My painting is a spontaneous projection of that which I feel. I stand before my canvas like an author before his blank page.” Hemingway, of course, is an undisputed giant of literature while Carson is peaking in mid-career success. The legendary author is known, perhaps to his detriment, as a “man’s man” and the artist, in his way fits that mold. He is strong and confident, succinct in his manner on canvas and in person. Dedicated to his cause, he spares no effort to manifest brilliance in every brush stroke, describing his energy as emerging from an “unexplainable force, trance-like”, that causes one to surpass limitations. As Hemingway developed a new style of writing that is oft-imitated, never attained, Carson has created a new way of painting that takes a similar heightened position in the mainstream of contemporary art, a form that is universally accessible but impossible to be duplicated by another. A language all his own forever to be known as “Carsonism.”

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