"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
1200 px | ||
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1500 px |
Dimensions of the file (px) | 1200x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
Download immediately upon purchase
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Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- Categories Abstract Flower
Look closely for 187 mechanical movements from 1890 London, used as a textural feature amidst the ‘look’ of motion created with non moving parts within a solid state drive computer
Abstract mixed media multiple photos painted with various textures above and below and paintbrush made from an 1890’s chart of mechanical movements for future inventions.
Related themes
Digital Mixed MediaPhotography Mixed MediaContemporary FloralMechanical MovementsFloral Abstract
Blame Mr Ken is a mixed media artist whose work blends photography, digital and analog painting, drawing, collage, and pixel manipulation. His pieces, both originals and editions, often explore satirical themes, particularly how beauty is perceived across cultures, shaped by class, race, and status. Through his lens, the idea of ‘ugly’ becomes just as captivating as traditional beauty, reflecting his broader interest in the contradictions and curiosities of modern society. The notion of blame, and how it drives cultural narratives, is another recurring theme in his art.
Raised in Central America within a family of artists and adventurers, Mr. Ken’s upbringing in Panama, with summers filled with travel, profoundly influenced his artistic journey. School later brought him to Austin, where the mid-eighties counter-culture scene and underground alternative music clubs allowed him to experiment with art, fashion, and persona creation. Introduced to photography and art early on, he began painting and later attended art classes in Austin, Texas, alongside RTF (Radio, TV, Film) studies at UT Austin.
Encountering diverse ideas about art and the influence of other artists in Art School, Mr. Ken transitioned into a creative career in hospitality. As Director of Catering for luxury hotels, he shined creatively, designing social events. Simultaneously, he delved into graphic design and continued self-learning in various visual arts and sound design.
After years of conceptualizing and producing special events in major cities like Austin, Dallas, Houston, and Miami, he found a home in Miami Beach just after the opening of The Albion Hotel. He played a pivotal role in establishing Rubell Hotels’ special events department, overseeing venues throughout the hotel, the iconic pool and garden, the Sony Building rooftop, and the family’s RFC contemporary art collection, now the Rubell Museum.
Renowned for his creative happenings and events blending installations with performance art, he embraced his identity as a ‘Fence Straddler Artist,’ fusing personal and global influences to critically examine human behavior and societal constructs. Growing up in Panama as an American citizen, he experienced culture shock upon relocating to Florida after the death of his grandparents and faced a tumultuous ride navigating life in the USA as someone ‘different.’
Utilizing a glass ‘canvas’ and a variety of applications, Mr. Ken’s work often starts with a master pigment ink giclée, produced on museum-quality paper, canvas, or metal. He then adds layers of paint or collage to complete the original piece. Mr. Ken creates without limitation, exploring diverse methods and styles. Despite challenges like a brain abscess in 2016, his dedication to being a full-time artist has only deepened, infusing resilience and depth into his creations.
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Nationality:
UNITED STATES
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary American Artists