Œudipe (2011) Drawing by Baptiste Vanweydeveldt

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Seller Baptiste Vanweydeveldt

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This artwork appears in 3 collections
L'un des rare de la série "abécédaire encadré scellé" qui reprend le thème de l'installation "Ce qui est derrière la lumière". Le dessin à pour sujet le socle, non comme projet mais come représentation de la réalisation finie. Au dessus quelques annotations qui redéfini mes ressentis face à la forme. J'y vois trois couleurs tel les transformations [...]
L'un des rare de la série "abécédaire encadré scellé" qui reprend le thème de l'installation "Ce qui est derrière la lumière".
Le dessin à pour sujet le socle, non comme projet mais come représentation de la réalisation finie... Au dessus quelques annotations qui redéfini mes ressentis face à la forme.
J'y vois trois couleurs tel les transformations de l'œuvre Alchimiste, j'y perçois également la forme d'une chaussé et je pense alors à œudipe, qui avait le pieds enflé...

Related themes

Baptiste VanweydeveldtBaptistevwartDessin D'installationŒudipeAlchimie

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling [...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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