La culpabilité (2021) Collages by Annabelle Amory

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It's been a long time since I wanted to do a canvas on endometriosis. I could have talked about the constant fatigue, the razor-like pain in the lower abdomen, the migraines, the nausea, the slowness of diagnosis, the countless treatments to try before finding the right one, the fact that I have several times believed that I was pregnant because[...]
It's been a long time since I wanted to do a canvas on endometriosis. I could have talked about the constant fatigue, the razor-like pain in the lower abdomen, the migraines, the nausea, the slowness of diagnosis, the countless treatments to try before finding the right one, the fact that I have several times believed that I was pregnant because my belly was disproportionately swollen... The subjects are numerous. But I wanted to talk about the guilt. The psychological aspect of endometriosis is very little mentioned when we talk about this disease. Because even if it only affects women, it also invades the couple, friends, acquaintances, the professional world. I have lost count of the number of appointments that I have canceled or postponed due to a sudden crisis. I've lost count of the number of times my companion has said to me: "well, are you tired already?", where I ruined an evening restaurant, cinema, for two because of a migraine, pain. The guilt of having an illness that complicates our relationship. The guilt of pain before, during and after sex. The guilt is so great that most of the time, I hide my pain and pretend that everything is fine.

Paper used: instructions for Colprone, my current treatment.

Related themes

EndometriosisSicknessEndométrioseWomanWomen

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Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above[...]

Born in 1988 in Oise, Annabelle has been painting canvases and writing books since childhood. In the family, no one practices an artistic, musical or sporting activity. What matters in this environment is above all university studies to have, at the end, a "real" job.

So Annabelle obeys and climbs the ladder: degree in art history and archeology in Amiens, Master in Sciences of Antiquity in Lille, then, finally, the last stage: a doctorate in Greek archeology which she obtains in 2017. However, during her research, she did not stop painting and even exhibiting whenever she had the opportunity. At the end of her thesis defence, she informed her jury: no, she would not embark on research but would attempt an artistic career.

The difficult issue of identity, duality and inner conflict is at the heart of Annabelle's thinking. Whether it is the injunction made to women (on their physique, their activities or their social status) or the personal evolution in our society (where the norm is still the only model and where the difference is stifled), the question is then the same: how to make our deep convictions coincide with the world around us? How can we assert our identity without feeling judged? Can we remain ourselves, flourish, knowing that we are constantly influenced by society, the eyes of others, social networks, money or even success?

Eco-feminist and anti-conformist, Annabelle draws from her personal history these two-speed anxieties, torn between her deep convictions and the current norm. She then analyzes her own life course and delivers an almost autobiographical gallery on the canvas: if none of the characters really resemble her, they nevertheless evoke all her concerns, her conflicts, the people she has met as well as different moments of her life. life.

The Artist was highlighted in an article in Artmajeur Magazine:

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