Why Lives Matter (2018) Textile Art by Alfonse Pagano

Textile Art on Canvas, 96x40 in
$7,669
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  1217 px  

1500 px
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This artwork is a sculptural interpretation of the U.S. flag rendered in soft, neutral-toned textile. The piece reimagines the traditional flag design using raw, unbleached fabric strips that hang vertically from a stitched field of stars in the upper left. The stripes cascade down freely, pooling onto the ground in a tangled, unkempt heap—disrupting [...]
This artwork is a sculptural interpretation of the U.S. flag rendered in soft, neutral-toned textile. The piece reimagines the traditional flag design using raw, unbleached fabric strips that hang vertically from a stitched field of stars in the upper left. The stripes cascade down freely, pooling onto the ground in a tangled, unkempt heap—disrupting the flag’s familiar form and evoking a sense of unraveling, burden, or transformation.

The absence of color and the use of natural fibers suggest themes of vulnerability, deconstruction, and the weight of national identity. Its tactile and deconstructed form invites reflection on the complexities of patriotism, history, and the American experience, serving as both a tribute and a critique.

This flag is not meant to wave but to confront, its stillness and grounded state calling attention to the fragility and layered meanings embedded in symbols we often take for granted.

Related themes

Us FlagCountryPoliticsDeconstruction

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I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised [...]

I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised by a single mother who saw my creative spark early, I was given freedom to explore. By fourteen, I knew art wasn’t a hobby—it was my path.

Though I studied briefly at the School of Visual Arts, I’m mostly self-taught. I learned by making, reading, and working with others—most memorably, Len Lye in the early ’70s. His energy and commitment left a mark.

Over the years, I’ve lived many lives: sailor, freighter crew, photographer, mixed media artist. My work blends photography, painting, and sculpture—often exploring decay, erosion, and transformation. In 1989, I received a NYFA grant. My book Dreads was published nationally, marking a major career shift.

During the Trump years, I altered American flags to reflect political and moral erosion. Later, I created more meditative works while living aboard a 40-foot trawler for four years.

Now back in New York, I’m restarting my studio practice with urgency and clarity. I still have more to say—and more I need to make.

See more from Alfonse Pagano

View all artworks
Painting titled "Ink Water Gold 080" by Alfonse Pagano, Original Artwork, Gouache Mounted on Other rigid panel
Gouache on Other substrate | 21x15 in
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Sculpture titled "Relic" by Alfonse Pagano, Original Artwork, Fabric
Sculpture - Fabric | 60x28 in
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Painting titled "Tic" by Alfonse Pagano, Original Artwork, Gouache
Gouache on Other substrate | 7x16 in
$648
Painting titled "Four More Too" by Alfonse Pagano, Original Artwork, Gouache
Gouache on Other substrate | 22x20 in
$1,433

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