Ink Water Gold 080 (2020) Painting by Alfonse Pagano

Gouache on Other substrate, 21x15 in
$1,709
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  1183 px  

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Other rigid panel
The artwork titled "Ink Water Gold 080" measures 21x20 inches and is composed using ink water color, copper and gold leaf, ricepaper, and resin on chip board. It features a grid of twelve square panels arranged on a heavily textured, turquoise or sea green background. Each panel is adorned with varied elements such as scribbled text, geometric shapes, [...]
The artwork titled "Ink Water Gold 080" measures 21x20 inches and is composed using ink water color, copper and gold leaf, ricepaper, and resin on chip board. It features a grid of twelve square panels arranged on a heavily textured, turquoise or sea green background. Each panel is adorned with varied elements such as scribbled text, geometric shapes, and abstract markings.

Repeating motifs like sets of triangles, lines, and a circular form intersected by a cross can be observed across the panels. Red dots are selectively placed to provide a stark contrast to the dominant greens and blues. The edges of the panels are rough and irregular, adding an organic and tactile quality to the piece. A deliberate patina suggests age or an aging process incorporated by the artist.

A unique aspect of this artwork is its modular nature. The twelve panels offer flexibility in arrangement, allowing them to be displayed in multiple configurations. This modularity invites viewer interaction and personal interpretation of the composition.

Related themes

IslandSeaWaterSt JohnBlue

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I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised [...]

I was born in 1951 in Paterson, New Jersey, into a third-generation Italian American family. Paterson was gritty, vibrant, and full of contradictions—elements that continue to shape how I see and make art. Raised by a single mother who saw my creative spark early, I was given freedom to explore. By fourteen, I knew art wasn’t a hobby—it was my path.

Though I studied briefly at the School of Visual Arts, I’m mostly self-taught. I learned by making, reading, and working with others—most memorably, Len Lye in the early ’70s. His energy and commitment left a mark.

Over the years, I’ve lived many lives: sailor, freighter crew, photographer, mixed media artist. My work blends photography, painting, and sculpture—often exploring decay, erosion, and transformation. In 1989, I received a NYFA grant. My book Dreads was published nationally, marking a major career shift.

During the Trump years, I altered American flags to reflect political and moral erosion. Later, I created more meditative works while living aboard a 40-foot trawler for four years.

Now back in New York, I’m restarting my studio practice with urgency and clarity. I still have more to say—and more I need to make.

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