Lightning Over the Regent (Luitpold) (2025) Painting by Alex Kepler

Acrylic on Canvas, 17.3x15 in
$704.18
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Not a homage, but a trial by lightning. Over Franz von Lenbach’s Prince Regent Luitpold of Bavaria (public domain), I lay an imperial purple that weighs like history, cut by an electric-blue scar — a will that insists. Red and orange bolts break the portrait’s priestly calm, tearing the halo from power’s mask. Between Apollonian order and Dionysian...
Not a homage, but a trial by lightning. Over Franz von Lenbach’s Prince Regent Luitpold of Bavaria (public domain), I lay an imperial purple that weighs like history, cut by an electric-blue scar — a will that insists. Red and orange bolts break the portrait’s priestly calm, tearing the halo from power’s mask.
Between Apollonian order and Dionysian rupture, the image chooses conflict: the Regent still stands, yet his aura is unseated. I do not restore what was; I transvalue it — from museum silence to street thunder.

Hybrid artwork: Based on a recreation of the original piece, the work is directly intervened with acrylic, spray, and ink, adding unique texture, gestural quality, and energy.

Process; Legal Note: Base image is public domain (Lenbach, †1904). This is an original intervention painted over my own canvas reproduction; not a mere copy.

Related themes

Street ArtGraffitiInterventionBavariaLuitpold

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Vengo del muro: más de veinte años entre polvo y pintura. Hoy no restauro iconos: los confronto. Las imágenes que veneramos se oxidan en su pureza; las saco a la intemperie: graffiti sobre la tela como quien pone...

Vengo del muro: más de veinte años entre polvo y pintura. Hoy no restauro iconos: los confronto. Las imágenes que veneramos se oxidan en su pureza; las saco a la intemperie: graffiti sobre la tela como quien pone a prueba un ídolo, no para destruirlo, sino para devolverle el pulso. La juventud del trazo juzga a lo antiguo sin pedir permiso. Trabajo con dos fuerzas: voluntad de forma y voluntad de profanación. Entre ambas nace la obra: líneas que sentencian, campos de color que no se disculpan, silencios tensos. No doy mi rostro; doy conflicto. Si lo sagrado quiere vivir, que se defienda.

I come from the wall: more than twenty years between dust and paint. Today I do not restore icons—I confront them. The images we venerate corrode in their purity; I drag them into the open air: graffiti on canvas, as one might test an idol—not to destroy it, but to return its pulse. The youth of the stroke judges the old without asking permission. I work with two forces: the will to form and the will to profane. Between them the work is born: lines that condemn, fields of color that do not apologize, tense silences. I do not give my face; I give conflict. If the sacred wishes to live, let it defend itself.

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