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Colline sotto il cielo infuocato (2011) Painting by Alessandro Andreuccetti
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Original Artwork
Painting,
Oil
on Canvas
- Dimensions Height 19.7in, Width 19.7in
- Categories Paintings under $1,000
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The artistic career of Alexander Andreuccetti is classical, his training took place at the Faculty of Architecture and the Accademia di Belle Arti in Florence, but his passion for painting, graphic and comics has matured since his boyhood. This latter aspect is developed in parallel to painting and the artist continues to provide ongoing recognition and years of satisfaction. Among the projects underway is remarkable collaboration with the Bank of Sovicille CRAS for the implementation of several books on local history in comics, particularly suitable for spreading education. From 1978 he began painting and exhibiting in numerous personal and collective national. His early studies were focused mainly on painting watercolor technique that the artist has felt congenial to his expressive needs and preferred channels of communication through the speed, versatility and performance of typical impact of this technique. Following this initial period of Alexander's attention has shifted to looking for different expressive techniques including pastel, oil and acrylic. Knowledge of different techniques ensures a continual request for the artist who challenges himself to find a communication alive, dynamic rendering of strokes sometimes soft, long, trailing or broken and displaced. The luminosity of watercolor paper that is laid on white and gradually darken with soft fields of color that contrasts with the use of acrylic material treated with the darkness of the initial preparations, dark leaves emerge very bright with the gradual application of color . The landscapes are marked by the culmination of his research on freedom of expression, technique and color. These views are objective only for a few references to nature as the hills and cypress trees that dot our countryside of Tuscany and remember, but it is only natural given the excuse for the exploration of a continuous intersection of planes that become colored spots. The eye is lost between the color zones that overlap and leave feeling balanced between objective fact and the casual. The features of landscapes macchiaioli almost seem to dissolve in the soft watercolor tones that destroy the forms. The objective reality is the primary inspiration for the artist, pinning a glimpse, a detail kidnapped by the newspaper, a sensation in the face of natural data to analyze it later in the studio which leads to a meditative painting and filtered through a personal vision. His palette is based on the use of earthy tones such as ocher, browns, the Sienna revitalized by contrast with loads of red sunsets, the cobalt blue of the skies full of clouds and dark greens that give life to live and work dynamics. The views of autumn woods rich shades from bright reds and yellows, olive greens are the starting point for analyzing the twist of the branches, their hide and reappear in the thick shady forest, they represent a continuous stimulus for the artist who is attracted the style of writing of these forms and a rel...
- Nationality: ITALY
- Date of birth : 1955
- Artistic domains:
- Groups: Contemporary Italian Artists