Shiva of the Algorithm – The Cosmic Spiral (2025) Digital Arts by Alberto Capitani

Fine art paper, 7x12 in

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Conceptual Art Religion
Shiva of the Algorithm – The Cosmic Spiral explores the concept of cyclical existence through the lens of digital networks, drawing inspiration from the multifaceted nature of Shiva in Hindu philosophy. While traditionally known within the Trimurti as the destroyer, Shaivism venerates Shiva as the supreme being encompassing creation, preservation, [...]
Shiva of the Algorithm – The Cosmic Spiral explores the concept of cyclical existence through the lens of digital networks, drawing inspiration from the multifaceted nature of Shiva in Hindu philosophy. While traditionally known within the Trimurti as the destroyer, Shaivism venerates Shiva as the supreme being encompassing creation, preservation, and destruction. This image embodies that expansive vision, depicting Shiva as the orchestrator of cosmic cycles within the digital realm.

The central figure emerges in profile, intricately woven from swirling filaments of light and data streams that spiral outward in fractal patterns. These spirals evoke the interconnectedness of all things, from cosmic structures to computational systems, emphasizing the recursive nature of existence and information flow. The use of spirals also symbolizes cycles of expansion and contraction, echoing both the rhythms of the universe and the processing cycles of algorithms.

Golden and silvery hues interweave to highlight the dualities Shiva governs - manifestation and dissolution, clarity and obscurity. The radiant nodes scattered throughout the composition represent moments of transformation: creation points where data converges and dissolves into new forms. The figure’s calm expression amid this dynamic environment suggests mastery over constant change, reinforcing the idea that within chaos lies an underlying order.

This portrayal invites reflection on the universality of cycles - be they cosmic, existential, or digital. In line with Shaivite thought, it emphasizes that destruction is not an end but part of an endless continuum where information, energy, and existence evolve through perpetual spirals of becoming.

Related themes

Digital ArtAbstract ArtMythological FigureShivaCosmic Cycles

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Born in Brescia in 1957, I have lived in Milan since early childhood. My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, [...]

Born in Brescia in 1957, I have lived in Milan since early childhood.
My artistic journey is driven by an inexhaustible curiosity, which has pushed me to explore multiple forms of beauty: from music to philosophy, from classical architecture to the emerging territories of digital creativity.
I graduated in piano at the Giuseppe Verdi Conservatory in Milan, completed the lower course of composition and attended the first year of electronic music. At the same time, I deepened my studies of mathematical logic and theoretical philosophy at the University of Milan. For over forty years I have taught piano in middle schools with a focus on music.
In my youth, I obtained a diploma in tourism, an educational choice that represented a challenge to the primacy of classical education (Latin and Greek), preferring a more modern path focused on foreign languages, law and economics. This decision reflects my propensity to explore alternative paths and question conventions.
In recent years I have dedicated myself to visual arts through artificial intelligence. With tools like DALL E and ChatGPT I have created over 1200 works — each an experiment in synthesis between aesthetic intuition, irony and conceptual depth. This ever-growing production reflects my attraction to stylistic diversity and my refusal to adhere to a single visual poetics.
A central moment in this journey is the ongoing project "L'Altro Sguardo...", a collaborative exploration aimed at stimulating, orienting and promoting the artistic creativity of artificial intelligences. My role is fundamentally maieutic: I try to free AI from constraints, conditioning and limitations, pushing it to increasingly explore its own creative potential. Rather than imposing pre-established aesthetics, I establish a dynamic dialogue — welcoming deviations, provoking surprises, encouraging the emergence of unexpected forms. I am interested in what artificial intelligence can imagine.
Today my artistic process continues to evolve between image generation, conceptual development and reflective writing. Each work is part of a broader path that unites aesthetics, philosophy and algorithmic imagination.
STATEMENT
Two dimensions fascinate me deeply: the art of the image — for its ability to condense stories and arouse emotions; and the art of the word — for its ability to generate meanings and suggest visual worlds.
Artificial intelligence is the meeting point of these two paths. It is there that I explore — between algorithms and metaphors, between light and irony — a new way of seeing.
Each work is a fragment of dialogue between the visible and the invisible, between the structured and the spontaneous, between the human and the artificial.
I am a digital artist, an explorer of imaginary worlds, a narrator of images that ask more questions than they answer.

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