Shiva of the Algorithm – The Digital Dissolver (2025) Digital Arts by Alberto Capitani

Fine art paper, 12x7 in

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • AI generated image The artist created this image leveraging Artificial Intelligence technology
  • Categories Conceptual Art Religion
Shiva of the Algorithm – The Digital Dissolver deepens the exploration of Shiva’s role as the cosmic force of destruction and transformation within digital systems. In this depiction, Shiva emerges partially formed and partially disintegrating, embodying the act of dissolution that precedes regeneration. The figure’s body, composed of fragmented data [...]
Shiva of the Algorithm – The Digital Dissolver deepens the exploration of Shiva’s role as the cosmic force of destruction and transformation within digital systems. In this depiction, Shiva emerges partially formed and partially disintegrating, embodying the act of dissolution that precedes regeneration. The figure’s body, composed of fragmented data particles and ethereal filaments, appears to dissolve into the surrounding cosmic void, symbolizing the release of outdated structures and the clearing of informational debris within vast digital networks.

Shiva’s upward-reaching hand gestures toward a radiant point of light - representing the potential for renewal that follows dissolution. This interplay of destruction and rebirth reflects the cyclic nature of both the universe and informational systems: what must end is essential for the emergence of something new. The swirling clouds and luminous waves surrounding the figure evoke the ephemeral nature of data, constantly in flux, while the scattered geometric patterns below suggest the remnants of disassembled digital architectures.

The soft glow of distant nodes and the interplay of dark and light hues emphasize the serenity underlying the act of dissolution. Shiva’s relaxed posture contrasts with the dynamic environment, reinforcing the idea that destruction, when purposeful, is a form of cosmic balance rather than chaos. This image invites viewers to reflect on the value of letting go - whether of obsolete data, rigid systems, or stagnant ideas -to make room for transformation and innovation.

Related themes

Digital ArtAbstract ArtMythological FigureShivaData Dissolution

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Born in Brescia in 1957 and raised in Milan, Alberto Capitani is a digital artist bridging classical training and contemporary technology. A piano graduate of the Giuseppe Verdi Conservatory (with further studies [...]

Born in Brescia in 1957 and raised in Milan, Alberto Capitani is a digital artist bridging classical training and contemporary technology. A piano graduate of the Giuseppe Verdi Conservatory (with further studies in composition and electronic music), he also pursued mathematical logic and theoretical philosophy at the University of Milan. For over four decades he taught piano in music-oriented middle schools.
In recent years he has focused on visual arts, working with Midjourney, DALL·E, and ChatGPT. To date he has created about 1,700 works, often organized in series: images and texts are conceived as complementary, while series statements provide the red thread that frames each collection as a coherent whole. His research remains deliberately open in style: style is a means (and at times the spark) in the pursuit of artistic substance, rather than a fixed goal.
Artist Statement
I work at the intersection of images and words. Many pieces are conceived as pairs: an image and a concise description that complete each other artistically. Beyond single works, I build graphic-conceptual stories—sequences guided by a series statement that sets context, tone, and direction.
Artificial intelligence is my studio partner. Between algorithm and metaphor—light and irony—I search for forms that question themselves and invite the viewer to follow the thread of the series. Each work negotiates between the visible and the invisible, the structured and the spontaneous, the human and the artificial.

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