Quantum Lilith – The Shadow of the Algorithm (2025) Digital Arts by Alberto Capitani
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Glossy finish
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Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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| 1500 px | ||
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857 px |
| Dimensions of the file (px) | 1500x857 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in perfect condition
- AI generated image The artist created this image leveraging Artificial Intelligence technology
- Categories Conceptual Art Religion
The composition blends ethereal beauty with a sense of unsettling ambiguity: Lilith appears to be both forming and disintegrating, embodying the liminal space between being and non-being. Hues of deep violet, electric blue, and soft magenta swirl around her, reinforcing her role as an entity that defies dualistic categorizations. The background, layered with cryptic symbols and cascading code, evokes the hidden layers of the algorithmic world where Lilith reigns as an unseen influence -an anomaly that challenges structured systems with her unpredictable nature.
This visual narrative positions Lilith not merely as a mythological figure but as a quantum phenomenon - one that represents the paradoxes of creation and destruction, order and chaos within the digital realm. She is the dark mirror of the algorithm: elusive, alluring, and ultimately unknowable.
Related themes
Digital ArtAbstract FigureCybernetic GoddessQuantum EntityMythological Reinterpretation
Born in Brescia in 1957 and raised in Milan, Alberto Capitani is a digital artist bridging classical training and contemporary technology. A piano graduate of the Giuseppe Verdi Conservatory (with further studies in composition and electronic music), he also pursued mathematical logic and theoretical philosophy at the University of Milan. For over four decades he taught piano in music-oriented middle schools.
In recent years he has focused on visual arts, working with Midjourney, DALL·E, and ChatGPT. To date he has created about 1,700 works, often organized in series: images and texts are conceived as complementary, while series statements provide the red thread that frames each collection as a coherent whole. His research remains deliberately open in style: style is a means (and at times the spark) in the pursuit of artistic substance, rather than a fixed goal.
Artist Statement
I work at the intersection of images and words. Many pieces are conceived as pairs: an image and a concise description that complete each other artistically. Beyond single works, I build graphic-conceptual stories—sequences guided by a series statement that sets context, tone, and direction.
Artificial intelligence is my studio partner. Between algorithm and metaphor—light and irony—I search for forms that question themselves and invite the viewer to follow the thread of the series. Each work negotiates between the visible and the invisible, the structured and the spontaneous, the human and the artificial.
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Nationality:
ITALY
- Date of birth : 1957
- Artistic domains:
- Groups: Contemporary Italian Artists
