ROTHKO (2018) Painting by Xavier Auffret

Ink on Paper, 25.6x19.7 in
$1,767.89
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Encre et crayon sur Papier Canson 200g. Les peintures de Rothko sont empreintes d'une profondeur émotionnelle. Il croyait que l'art pouvait susciter des émotions universelles et spirituelles chez le spectateur. Ses toiles sont souvent composées de blocs de couleurs vibrantes et intenses, créant des espaces qui semblent s'étendre au-delà de la surface [...]
Encre et crayon sur Papier Canson 200g.
Les peintures de Rothko sont empreintes d'une profondeur émotionnelle. Il croyait que l'art pouvait susciter des émotions universelles et spirituelles chez le spectateur. Ses toiles sont souvent composées de blocs de couleurs vibrantes et intenses, créant des espaces qui semblent s'étendre au-delà de la surface de la toile. Les formes abstraites flottent et fusionnent, invitant le spectateur à se plonger dans une contemplation méditative. Les œuvres de Rothko ne se limitent pas à une simple appréciation esthétique, elles engagent également une conversation entre l'artiste, l'œuvre et le spectateur. Rothko considérait ses toiles comme des portails vers des dimensions plus profondes de l'existence humaine. Il cherchait à créer des espaces où les spectateurs pouvaient se perdre, se confronter à leurs propres émotions et entrer en communion avec quelque chose de plus grand que leur individualité.

Related themes

RothkoRegardPresenceLumiereInteriorité

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After studying engineering, I turned to an artistic career by integrating the Decorative Arts of Paris. Passionate about drawing, I quickly moved towards a more solitary and personal search. My work is exhibited [...]

After studying engineering, I turned to an artistic career by integrating the Decorative Arts of Paris. Passionate about drawing, I quickly moved towards a more solitary and personal search. My work is exhibited regularly in Paris and in the provinces.

The subjects chosen are essentially portraits and landscapes.

As Yves Bonnefoy indicates - in his writings on art - "to touch the universal through the singularity of each thing, the portrait is a genre with the highest attracting head". The mystery of the presence of human beings has always questioned me. Translating consciousness, which is synthesized in a face, into a look allows me to approach the mystery of the person. Although it is understood that the mystery still remains intact.

Through the landscapes that inhabit me, I also find an echo of my own inner research. Each element participates in the whole, and the whole is found in each element.

Colorist, I pay attention to the general harmony so that it evokes space, light and poetry.

< p>Draughtsman, I am attached to composition, structure and balance.

The techniques used are acrylic, watercolor, pencil and spray paint, this on thick Kraft paper or canvas.

I have developed digital artworks in parallel. This flexible tool makes infinite experiments possible while working on what already exists. This flexibility is also found during printing, with remarkable fidelity both in terms of color rendering and contrast quality.

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