Anatomical Head Study #2 (Le Cere Anatomiche della Specola) (1998) Painting by Wilf Tilley

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Seller Wilf Tilley

  • Original Artwork (One Of A Kind) Painting, Oil / Graphite on Linen Canvas
  • Dimensions Height 9.8in, Width 7.9in
  • Artwork's condition The artwork is in very good condition
  • Categories Expressionism Science
A second study in the form of a finger painting in oil and graphite after a photograph of a flayed human head made of wax from the Specola Museum in Florence. The image appears to be an horizontal rotation of an illustrative photograph by Liberto Perugi. Wax anatomicals were of especial interest to the artist while working in the Laboratory of Human [...]
A second study in the form of a finger painting in oil and graphite after a photograph of a flayed human head made of wax from the Specola Museum in Florence. The image appears to be an horizontal rotation of an illustrative photograph by Liberto Perugi. Wax anatomicals were of especial interest to the artist while working in the Laboratory of Human Anatomy, Oxford. And the artist identified a wax model of the human brain in the collection of the laboratory (formerly belonging to Christ Church College) as being a "specola" model. At about the same time, Tilley carried out an experiment to dissect and plastinate human brain stem. A description of the plastination technique makes an appearance in Tilley's short story, The new Laocoön, published 2023. The work's tentative date of 1997, would place it after the artist's return to Japan from Oxford. (Perugi's photograph appears in a book published in 1977: Benedetto Lanza et al., Le Cere Anatomische della Specola di Firenze, Firenze, Arnaud Editore). The work is attached to cardboard with both catalog number (AOY3), signature and a storage box number (B2011-16).

Related themes

Le Cere AnatomischeLiberto PerugiWilf TilleyHuman AnatomyAnatomical Plastination

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Wilf Tilley (Prof. Michael Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theater at The Old Vic. in a production of Antony and Cleopatra, in which Helen [...]

Wilf Tilley (Prof. Michael Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theater at The Old Vic. in a production of Antony and Cleopatra, in which Helen Mirren played Cleopatra and he carried a spear.  “Wilf Tilley” (a combination of parental names) was part-adopted for a first solo exhibition at the AIR Gallery, London, when he was 27. He studied English and European Literature with Italian before a postgraduate degree at the Royal College of Art, and co-organized fundraising exhibitions for the Campaign for Nuclear Disarmament and the anti-apartheid movement: the latter at the Royal Academy of Arts, London. An interest in the neuro-anatomical drawings of Leonardo da Vinci led, via the Open University, to research on neuronal modelling in the Department of Physiology, Anatomy and Genetics in the University of Oxford. He was a Fellow of St. Catherine's College, Oxford, and after a two-year Fellowship in the International Center for Medical Research, Kobe, was a founder member, then senior adviser at the RIKEN Brain Science Institute. While at the institute he designed and supervised installation of a brain science exploratorium: "BrainBox". Wilf has held eight solo exhibitions, participated in group exhibitions internationally, and held a first retrospective in Japan, “The Neuro-mytheologian And Other Works", in 2003.  A second retrospective was held at the Frederick Harris Gallery, Tokyo in 2017. And a recent portrait, "Manami-san (2023)", was chosen for the New Light Art Prize Exhibition in the UK, and toured five galleries nationally (2023-2024). As the co-author of several neurological case studies, Wilf addressed a conference in Japan in 2017 on mental time as a neuroscientific phenomenon, using the techniques of classical rhetoric – as described in the Ad Herrenium – to elucidate episodic memory. He is now working on a panel series, A story in silico, connected with personal memory, nostalgia and fabulation, and recently published two short stories about the art world in the Ekphrastic Review (2022 and 2023).

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