Historically Important Fragment Of A Traumaphile Fetish (1998) Sculpture by Wilf Tilley

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  • Original Artwork (One Of A Kind) Sculpture, Clay
  • Dimensions Dimensions are available on request
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Surrealism Love
The full description of this small, handheld fetish (dimensions unavailable) is: "An Historically Important Fragment Of A Traumaphile Fetish, Or Arahitogami Object". And the explanatory text begins thus: "The notion of an Arahitogami or "Divine Emperor" object is Japanese in origin and early anthropologists mistakenly associated[...]
The full description of this small, handheld fetish (dimensions unavailable) is: "An Historically Important Fragment Of A Traumaphile Fetish, Or Arahitogami Object". And the explanatory text begins thus: "The notion of an Arahitogami or "Divine Emperor" object is Japanese in origin and early anthropologists mistakenly associated the fetish with powerful Shinto rites. In fact it is a secular object, possibly Indo-European, and used by those in love to attract rather than ward off ill fortune. This particular specimen, according to a note in Athanasius Miller's own hand was made for a highly fortunate lady desirous of worse things.". The full text is accompanied by a couple of (appropriately), ludicrous footnotes: 1) Jishin M.W. and Metastasis M.E., Fetishes of Ill Fortune, Oxford and Tokyo: Oxford University Press, 1995, and 2) Cockfoster K., GUT, X-bosons and Spiritual Charm, Journal of Metaphysical Mathematics, 36, 11-15, March 1998. (The model is enclosed in a re-purposed, Japanese, vintage, woven box: see additional image.)

Related themes

FetishWilf TilleyLudic ModelsArahitogamiDivine Emperor

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Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of[...]

Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of Antony and Cleopatra in which Helen Mirren played Cleopatra and he carried a spear. “Wilf Tilley” (a combination of parental names) was part-adopted for a first solo exhibition at the AIR Gallery, London, when he was 27. Following an MA degree at the Royal College of Art, London, an interest in the neuro-anatomical drawings of Leonardo da Vinci led, via the Open University, to research on neuronal modelling in the Department of Physiology, Anatomy and Genetics in the University of Oxford. He was a Fellow of St. Catherine's College, Oxford, and after a two-year Fellowship in the International Center for Medical Research, Kobe, was a founder member, then senior adviser at the RIKEN Brain Science Institute, where he designed a brain science exploratorium (BrainBox). Wilf has held eight solo exhibitions, participated in group exhibitions internationally, and held a first retrospective in Japan (The Neuro-mytheologian And Other Works), in 2003. A novel (The Ladyboy Murders) was shortlisted for the Impress Prize for New Writers in 2015. In November/December 2017, he held a second retrospective at the Frederick Harris Gallery, Tokyo. And a recent portrait (Manami-san) is part of the New Light Art Prize Exhibition in the UK, touring five galleries nationally (2023-2024).

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