Seller Wilf Tilley
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Limited Edition Number of copies : 4.
Printmaking,
Digital Print
/
2D Digital Work
on Paper
- Dimensions Height 9.1in, Width 5.9in
- Framing This artwork is not framed
- Categories Figurative
Related themes
Wilf Tilley (Prof. Michael Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theater at The Old Vic. in a production of Antony and Cleopatra, in which Helen Mirren played Cleopatra and he carried a spear. “Wilf Tilley” (a combination of parental names) was part-adopted for a first solo exhibition at the AIR Gallery, London, when he was 27. He studied English and European Literature with Italian before a postgraduate degree at the Royal College of Art, and co-organized fundraising exhibitions for the Campaign for Nuclear Disarmament and the anti-apartheid movement: the latter at the Royal Academy of Arts, London. An interest in the neuro-anatomical drawings of Leonardo da Vinci led, via the Open University, to research on neuronal modelling in the Department of Physiology, Anatomy and Genetics in the University of Oxford. He was a Fellow of St. Catherine's College, Oxford, and after a two-year Fellowship in the International Center for Medical Research, Kobe, was a founder member, then senior adviser at the RIKEN Brain Science Institute. While at the institute he designed and supervised installation of a brain science exploratorium: "BrainBox". Wilf has held eight solo exhibitions, participated in group exhibitions internationally, and held a first retrospective in Japan, “The Neuro-mytheologian And Other Works", in 2003. A second retrospective was held at the Frederick Harris Gallery, Tokyo in 2017. And a recent portrait, "Manami-san (2023)", was chosen for the New Light Art Prize Exhibition in the UK, and toured five galleries nationally (2023-2024). As the co-author of several neurological case studies, Wilf addressed a conference in Japan in 2017 on mental time as a neuroscientific phenomenon, using the techniques of classical rhetoric – as described in the Ad Herrenium – to elucidate episodic memory. He is now working on a panel series, A story in silico, connected with personal memory, nostalgia and fabulation, and recently published two short stories about the art world in the Ekphrastic Review (2022 and 2023).
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Nationality:
JAPAN
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Japanese Artists
