Stop-frame Karma: in silico Series: No.12 (2018) Digital Arts by Wilf Tilley

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Figurative
This image makes a number of allusions: 1) to Ray Harryhausen's stop-frame, fighting skeleton sequence in the movie, Jason and the Argonauts (1963), 2) the linked, personal notion that episodic recall is, metaphorically speaking, a "stop-frame" form of retrospection, and 3) the idea that collective human memory – qua the internet – can[...]
This image makes a number of allusions: 1) to Ray Harryhausen's stop-frame, fighting skeleton sequence in the movie, Jason and the Argonauts (1963), 2) the linked, personal notion that episodic recall is, metaphorically speaking, a "stop-frame" form of retrospection, and 3) the idea that collective human memory – qua the internet – can be seen as nirvana in silico, albeit one in which the effects of karma and metempsychosis never cease. This is the twelfth work in the series, 'in silico': a description used in systems biology to denote an experimental procedure performed inside a computer. I have extended its use to suggest the algorithmic modelling of these works.

Related themes

KarmaStop-Frame AnimationRay HarryhausenWilf TilleyJason & The Argonauts (1963)

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Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of[...]

Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of Antony and Cleopatra in which Helen Mirren played Cleopatra and he carried a spear. “Wilf Tilley” (a combination of parental names) was part-adopted for a first solo exhibition at the AIR Gallery, London, when he was 27. Following an MA degree at the Royal College of Art, London, an interest in the neuro-anatomical drawings of Leonardo da Vinci led, via the Open University, to research on neuronal modelling in the Department of Physiology, Anatomy and Genetics in the University of Oxford. He was a Fellow of St. Catherine's College, Oxford, and after a two-year Fellowship in the International Center for Medical Research, Kobe, was a founder member, then senior adviser at the RIKEN Brain Science Institute, where he designed a brain science exploratorium (BrainBox). Wilf has held eight solo exhibitions, participated in group exhibitions internationally, and held a first retrospective in Japan (The Neuro-mytheologian And Other Works), in 2003. A novel (The Ladyboy Murders) was shortlisted for the Impress Prize for New Writers in 2015. In November/December 2017, he held a second retrospective at the Frederick Harris Gallery, Tokyo. And a recent portrait (Manami-san) is part of the New Light Art Prize Exhibition in the UK, touring five galleries nationally (2023-2024).

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Digital Arts | Several sizes
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Digital Arts | Several sizes
Available
from $53.58
Digital Arts | Several sizes
Available
from $53.58

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