Soleil couchant (2024) Painting by Vincent Bourdin

Watercolor on Paper, 16.1x12.2 in
$327.23
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Fine art paper, 11x8 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Watercolor on Paper
  • Dimensions Height 16.1in, Width 12.2in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Figurative Urban
Soleil couchant en ville. About this artwork: Classification, Techniques & Styles. Watercolor. Watercolor is a painting in which gum arabic binds transparent pigments revealing the support of the painting. The gouache, of identical composition, is opaque. A watercolor is a water-based painting on paper. We rarely speak of a painting for a work painted [...]
Soleil couchant en ville.
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J’ai beaucoup pratiqué l’aquarelle à l’époque de mes études d’architecture, puis l’ai totalement délaissé durant de nombreuses années. Ce n’est qu’en 2013 que j’ai renoué avec les pinceaux, mon métier de formateur [...]

J’ai beaucoup pratiqué l’aquarelle à l’époque de mes études d’architecture, puis l’ai totalement délaissé durant de nombreuses années. Ce n’est  qu’en 2013 que j’ai renoué avec les pinceaux, mon métier de formateur voile et skipper indépendant me laissant pas mal de temps libre durant les mois hivernaux. Je ne pars jamais en voyage, que ce soit en voilier ou autre, sans mon petit kit.

J’ai pu exposer à multiples reprises au 111 des Arts, à Toulouse et à Lyon. j'ai été sélectionné en 2019 aux Olympiart de New Delhi, et mon tableau "La Flaque" a été exposé là-bas. N'étant cependant pas encore bien implanté dans le milieu, je suis à la recherche d'endroits pour exposer. En 2022 et 2023 j'ai pu exposer au Salon du dessin et de la peinture à l'eau au Grand Palais ephémère de Paris. Puis au Salon International de Haute Loire.

Ma passion pour la mer se ressent dans mon travail à l’aquarelle, revenant régulièrement sur les thèmes de la marée basse, des barques et voiliers échoués qui, dans quelques heures, flotteront à nouveau. Je trouve que la rencontre des pigments, de l’eau et du papier torchon se prête à merveille à l’expression de ces instants où la terre n’est ni sèche ni inondée…

La montagne est également une immense source d'inspiration, et j'ai été plusieurs fois primé (Concours de Sainte Marie de Campan ou de Salies de Bearn)

Parfois je délaisse les courbes gracieuses des voiliers pour peindre celle non moins gracieuses du corps humain. Le nu est un exercice compliqué où les pleins et déliés offrent des jeux d'ombres et de lumières, et où la grâce et la beauté invitent à des rêveries d'esthètes.

Enfin depuis quelques années, je me tourne essentiellement vers les scènes urbaines qui laisse la part belle à l'imagination du spectateur. J'aime poser les bases d'une histoire, un parcours, un scénario. A vous d'inventer le reste !



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