La Padoue (2025) Photography by Véronique Marichal

Fine art paper, 8x12 in
  • This work is an "Open Edition" Photography, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Documentary Animal
On dit qu’elle voit sans être vue. Sous sa couronne de plumes, ses yeux restent un mystère — impossible à saisir, même au cœur du studio, sur fond noir et éclairée par deux flashs. C’est justement dans cette lumière maîtrisée, sous le regard de l’objectif, qu’elle révèle toute sa délicatesse : une allure presque royale, une vulnérabilité cachée. Chaque [...]
On dit qu’elle voit sans être vue.
Sous sa couronne de plumes, ses yeux restent un mystère — impossible à saisir, même au cœur du studio, sur fond noir et éclairée par deux flashs.
C’est justement dans cette lumière maîtrisée, sous le regard de l’objectif, qu’elle révèle toute sa délicatesse : une allure presque royale, une vulnérabilité cachée.
Chaque plume de sa huppe semble posée à la main, comme une parure précieuse qu’elle porte avec grâce et pudeur.
Cette Poule de Padoue nous touche profondément, par ce qu’elle montre… et tout ce qu’elle garde secret, même sous les feux du studio.

Related themes

Exposition 2025ObscuraGallinacésPoulesPoules Ornement

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Photography came to me as a visceral necessity — a way to slow down, see the world differently, and capture the unexpected. It has become my counterbalance, my breath, the source that fuels my energy every day. [...]

Photography came to me as a visceral necessity — a way to slow down, see the world differently, and capture the unexpected. It has become my counterbalance, my breath, the source that fuels my energy every day.

I hold positions of responsibility, often navigating under high pressure — between strategic decisions, tight deadlines, and complex human stakes. But behind this façade, I love to seek out what is elusive.

After three years of training, I chose to refine my practice with both discipline and freedom, always hungry to experiment. I’m an avid visitor of photo exhibitions and a devourer of books, which endlessly pile up on my shelves.

My gaze now unfolds in two directions:
the studio, where every detail is shaped like a sculpture of light, and the street, where I learn to embrace the unpredictable, the encounters, and the fleeting scenes.
It’s this balance between control and letting go that makes each image come alive.

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