ARTIST GAGLOEVA (1999) Painting by Vera Nechaeva

Oil on Canvas, 39.4x39.4 in
$8,462
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Fine art paper, 8x8 in

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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 39.4in, Width 39.4in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Paintings under $20,000 Figurative
Painting.Oil.Canvas. Subframe. The Canvas must be Linen. Works a lot on etudes. LIKES TO WRITE MOUNTAIN LANDSCAPES. and she is very good at it. She feels the canvas. There is nothing like this painting. About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique [...]
Painting.Oil.Canvas. Subframe. The Canvas must be Linen. Works a lot on etudes. LIKES TO WRITE MOUNTAIN LANDSCAPES. and she is very good at it. She feels the canvas. There is nothing like this painting.
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Rimma Ilyinichna Gagloeva The painter Born in the village of Galanta North Ossetia. In 1962 she from a finished with honors the Tskhinvali Art school. In 1967 she graduated from the Scenic Decoration Department [...]

Rimma Ilyinichna Gagloeva The painter  Born in the village of Galanta North Ossetia . In 1962 she from a finished with honors the Tskhinvali Art school. In 1967 she graduated from the Scenic Decoration Department of the Tashkent Theatrand Art Institute . In 1971-1983 she taught painting drawing and composition at the Republican Art Scool.  She master of genre painting landscapes and portraits .A Brilliant colorist with a peculiar manner of pastose painting . The main subject-matter of  her works are human fates and the outer world with all the dramatism and comple[ity of life problems. The artist s works are owned by museum collections in Uzbekistan Russia North Ossetia and Private Collections abroad.     ВЕРНОСТЬ СЕБЕ.     Творчество Риммы Гаглоевой отличает удивительная цельность. Круг привязанностей ограничен станковой живописью,а жанровый диапозон пейзажем натюрмортом. Ее картины демонстративно традиционны ,и может быть,поэтому ее работы все чаще в последние годы привлекают внимание посетителей выставочных залов. Кажнтся Гаглоева не подвержена моде, бдительно охраняет свой внутренний мир, свой круг образов и свою манеру письма.  Характер человека и его творчество - вещи неразрывные , но у Риммы Гаглоевой особенно заметно. Она родилась и выросла в Оссетии ,в маленьком поселке . С детства впитала в себя неторопливый и устойчивый ритм сельского быта его своеобразную обрядность, поэзию сельского быта , трудов и праздников. Знакомые с детства горные пейзажи и маленькие аулы  остались на всю жизнь одной из главных тем творчества , обретая новые оттенки в обращении к пейзажам Средней Азии. Ей интересны люди живущие на природе , труженики на лицах которых лежит печать прожитых лет. Художницу не привлекает сюжетная живопись , хотя среди её работ есть и такие. Близкими автору ,а потому более интересными зрителям становятся полотна , где глубину переживаний и впечатлений отражают цвет и композиция.   За последние десятилетия - это время активной творчесской работы . Для Риммы Гаглоевой природа всегда была отражением гармонии и красоты. Поэтому ни в самом начале её творческого пути , ни позже мы не встретим в её пейзажах цикла образов природы преображённой и покорённой. Художницу всегда влекло к устойчивому , неизменному . Может быть это - одно из главных достоинств её работ , существование изначально , но по настоящему увиденное и оценённое сегодня , когда проблемы экологии остро стали перед всем миром.  Как и многие её коллеги Р.Гаглоева выезжая на этюды часто пишет горы. Своеобразие горного края создаётся на её полотнах не только достоверностью детали и передачей освещения, оно - в композиции работ.  Горные пейзажи строятся таким образом , что взгляд как бы поднимается по вертикали горного склона , где прилепилась маленькая деревушка с ярко освещёнными окнами домов , низкими оградами и частоколом. Для художницы горы - это не каменные громады и не уникальные экзотические творения подземных сил , а естественная среда обитания людей.

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