Painting titled "In Reality, In Memo…" by Tycheong, Original Artwork

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In Reality, In Memories (2014) Painting by Tycheong

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Dimensions of the file (px)	1500x1120
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
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Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 29.5in, Width 39.4in
Categories Figurative

About this artwork: Classification, Techniques & Styles. Figurative. Figurative and colorful painting having taken the liberty of including all forms of art without border of cultural genre and geographic origin, without hierarchy of values between high and subculture. Technic Painting. Painting is an art form of painting on a surface by aesthetically [...]

Tycheong

Malaysia

Cheong Tuck Wai (b. 1979, Malaysia) embarked on his artistic journey by obtaining a Diploma in Illustration from Dasein Academy of Art, Kuala Lumpur, in 2001. Subsequently, from 2002 to 2004, he pursued studies in fine art, all the while teaching the subject concurrently. He currently holds the position of senior part-time lecturer in Dasein's Fine Art department. His artistic focus revolves around mixed media figure painting.

Seeking equilibrium between the intellect and the soul, Cheong delves into the realm of memory, portraying humans, scenes, objects, and materials to craft images that evoke the essence of abandonment or desolation. The weathered and worn texture of his surfaces yields a captivating patina, exuding an aesthetic intrigue that envelops the atmosphere, compelling viewers to reflect upon the passage of time and its transient nature.

His artistic innovation centers around the theme of memory, wherein individuals, subjects, scenes, and objects are vividly portrayed and given definition. He skillfully employs an array of mixed materials to depict imagery and evoke sensations of abandonment, desolation, or discardment. This endeavor is driven by his intention to infuse his work with a unique aesthetic allure and atmosphere, cultivated over time, while also prompting viewers to engage in contemplation regarding the mutable nature of consumption value and its transmutation.