




Way Back When Playpen (2022) Collagen von Toby Leon
Mehr Infos
- Verpackung (Rohr) Alle Kunstwerke werden mit einem Premium-Carrier geliefert, sorgfältig geschützt und versichert.
- Kundendienst Auftragsverfolgung bis zur Zustellung des Pakets an den Käufer. Eine Tracking Nummer wird zur Verfügung gestellt, damit Sie das Paket in Echtzeit verfolgen können.
- Fristen Die meisten Pakete werden weltweit innerhalb von 1 bis 3 Wochen geliefert (Schätzen)
- Zoll nicht inbegriffen Der Preis beinhaltet keine Zollgebühren. Die meisten Länder haben keine Einfuhrsteuer für Originalkunstwerke, aber Sie müssen möglicherweise die reduzierte Mehrwertsteuer zahlen. Zollgebühren (sofern anfallend) sind bei der Ankunft vom Zollamt zu berechnen und werden vom Spediteur separat in Rechnung gestellt.
Mehr Infos
- Verfolgbares Online-Echtheitszertifikat Echtheitszertifikate können jederzeit online überprüft werden, indem der Code des Kunstwerks gescannt wird.
- Künstlerwert-Zertifizierung Experten untersuchen das Werk und den Werdegang eines Künstlers und ermitteln dann einen unabhängigen und zuverlässigen Durchschnittspreis. Der durchschnittliche Preiswert ordnet den Künstler in einer Preisspanne für einen bestimmten Zeitraum ein. Die Sachverständigen können auch gebeten werden, einen genaueren Schätzwert für ein bestimmtes Werk zu ermitteln.
Mehr Infos
100% sichere Zahlung mit SSL-Zertifikat + 3D Secure.
Mehr Infos
-
Limitierte Auflage Anzahl der Exemplare : 15.
Collagen,
Digitale Collage
/
Digitaldruck
/
2D digitale Arbeit
/
Collagen
auf Papier
- Anzahl der verfügbaren Exemplare 1
- Masse Höhe 20in, Breite 20in
- Zustand des Kunstwerks Das Kunstwerk ist in einwandfreiem Zustand
- Rahmen Dieses Kunstwerk ist nicht gerahmt
- Kategorien Collagen unter 500 $ Konzeptkunst fantastisch
Behold, the curious spectacle of Hanuman, a conch-playing nymph, and a petrified dinosaur skeleton hanging out in a broken-down funfair ride. Rusting away in the back of an abandoned lot.
This paradoxical playground is no random assembly of whimsy. It's a parallel universe, a place of anti-space where the outcasts of our collective memories and narratives frolic in a celebration of the overlooked and the forgotten. It is a comment on how society has grown so accustomed to venerating the new and reinventing the wheel — relegating its own history, its own imagination, its own gods and monsters to the sidelines. As if they were but infants confined to an eternal playpen. Reminding us we’re all the children of myths and legends, and to confine them to the past is to confine a part of ourselves.
—
Series Statement
My digital collage series, "Candy Babel’s Carnival for Kidults" is a metaphorical midway. Drawing from the ancient narrative of the Tower of Babel, a monument of human audacity that was splintered into a mélange of tongues and cultures, I find connection with echoes of the travelling circus — bringing together disparate groups of people ‘under one tent’. In this reconstructed Babel, the tower becomes a stage, a spectacle, where the othered and the marginalized, the 'freaks,' dare to exist in their full, vibrant humanity. And people pay to see it. Encapsulating the essence of play in its purest form — joyous, unifying, transformative.
In this carnival, play isn’t recreational, it’s revolutionary. The carnival becomes a tableau vivant, where each performance is an act of rebellion and acceptance, a safe space in the most vulnerable of places — on stage. The queer, the different, the non-normative, can all find a home here, shining stars in this periphery.
I present to you a kaleidoscopic world that basks in its rainbow otherness. Revelling in its queerness. Through this work, I hope to engage in a dialogue about the myriad ways in which we express and experience our humanity. I aim to challenge perceptions, to provoke thought, and to celebrate the beautiful complexity of our existence. Come, join the carnival, and rediscover the world through the vibrant lens of Candy Babel's Carnival for Kidults.
Verwandte Themen
History Remixing
We imagine history into existence every day, shaping the world around us as we go. I remake histories with every piece. From a motley crew of tales tall and true. A melange of myths, signs and symbols. Every one ripe for my kitsch confections, which could all be legends one day.
Every piece I create is true. Sourced from truth and grounded by it. But never real. Reality's a fiction we're all subscribed to, which doesn't make it any less true. And that's the thing about the truth. Or the past. It moves in both directions. Myriad, in fact. Never sitting still or doing as it's told. Forever questioned, dissected, reframed and upended. Queered and inverted. Packaged and performed. Told, retold, adapted then sold. Evolving, like everything else. Which is why I like to think my art exists outside of time. Reaching for infinity. Not reality. A kaleidoscope of mish-mashed truths, which are only as surreal as we choose to make them...
Eternally Hungry
Born in Sydney, I spent my childhood surrounded by artists, oddballs and academics. They taught me to question everything. Respectfully and without fear.
Their coffee table books inspired my love of art and design. Vigorous debates over citywide dinner tables made me realise how complex the world is. Tales of lives spent abroad inspired my wanderlust. Their most important lesson? The value of being eternally hungry—that you should always leave enough room to taste something you've never experienced before.
Twenty-two countries and four continents later, I can find home anywhere with WiFi and a hearty chunk of intrigue. It's because of them, and I'm forever grateful.
-
Nationalität:
AUSTRALIEN
- Geburtsdatum : unbekanntes datum
- Künstlerische Domänen: Werke von professionellen Künstlern,
- Gruppen: Professioneller Künstler Zeitgenössische Australische Künstler