The Monet Family in Their Garden at Argenteuil. Digital Arts by Tito Villa

Fine art paper, 8x12 in

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Figurative
Édouard Manet (né à Paris le 23 janvier 1832 - mort à Paris le 30 avril 1883) est un peintre français majeur de la fin du XIXe siècle. Précurseur de la peinture moderne qu'il affranchit de l'académisme, Édouard Manet est à tort considéré comme l'un des pères de l'impressionnisme : il s'en distingue en effet par une facture soucieuse du réel qui n'utilise [...]
Édouard Manet (né à Paris le 23 janvier 1832 - mort à Paris le 30 avril 1883) est un peintre français majeur de la fin du XIXe siècle. Précurseur de la peinture moderne qu'il affranchit de l'académisme, Édouard Manet est à tort considéré comme l'un des pères de l'impressionnisme : il s'en distingue en effet par une facture soucieuse du réel qui n'utilise pas (ou peu) les nouvelles techniques de la couleur et le traitement particulier de la lumière. Il s'en rapproche cependant par certains thèmes récurrents comme les portraits, les paysages marins, la vie parisienne ou encore les natures mortes, tout en peignant de façon personnelle, dans une première période, des scènes de genre (sujets espagnols notamment d'après Velazquez et odalisques par exemple).
Manet soutient les impressionnistes parmi lesquels il a des amis proches comme Claude Monet, Auguste Renoir ou Berthe Morisot qui devient sa belle-sœur et dont sera remarqué le célèbre portrait, parmi ceux qu'il fera d'elle, Berthe Morisot au bouquet de violettes (1872). À leur contact, il délaisse en partie la peinture d'atelier pour la peinture en plein air à Argenteuil et Gennevilliers, où il possède une maison. Sa palette s'éclaircit comme en témoigne Argenteuil de 1874. Il conserve cependant son approche personnelle faite de composition soignée et soucieuse du réel, et continue à peindre de nombreux sujets, en particulier des lieux de loisirs comme Au Café (1878), La Serveuse de Bocks (1879) et sa dernière grande toile Un bar aux Folies Bergère (1881-1882), mais aussi le monde des humbles (Paveurs de la Rue Mosnier, 1878) ou des autoportraits (Autoportrait à la palette, 1879).

Related themes

The Monet Family In Their Garden At Argenteuil.La Famille Monet Dans Le Jardin A Argenteuil.Impressionnisme MonetMonetPosters

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Tito Villa, an ascending creative artist of international stature, embodies a fascinating mix of artistic paradoxes. His career is marked by a quiet confidence, forged by multiple experiences, and a unique style [...]

Tito Villa, an ascending creative artist of international stature, embodies a fascinating mix of artistic paradoxes. His career is marked by a quiet confidence, forged by multiple experiences, and a unique style that bears the mark of a true creator.

Tito Villa is a versatile artist, capable of expressing himself through various artistic mediums. He is a painter, sculptor, engraver, designer and photographer. His fame extends well beyond borders, making him a visual artist of international stature. He explores a multitude of forms of artistic expression, leaving each with its own distinct mark.

A love of art has always been at the heart of Tito Villa's life, a passion that took root in his childhood and continued to flourish throughout his life. His training at the Beaux-Arts in Bordeaux, France, was a springboard towards the exploration of different artistic dimensions, including large format painting, video, photography, graphic art and art history.

Tito Villa's work has been exhibited in prestigious venues around the world, such as the Musée d'Art Contemporain de Bordeaux in France, the Musée National d'Art Moderne du Center Georges Pompidou in Paris, the Art Gallery of New South Wales in Sydney, Australia during the 8th Sydney Biennale, the Museum of Contemporary Art in Chicago in the United States, the Institute of Contemporary Art in Boston in the United States, the Venice Biennale in Italy, the National Museum of Modern Art in Kyoto and Tokyo in Japan, as well as in New Orleans in the United States, Valencia in Spain and the Museo Nacional Centro de Arte Reina Sofia in Madrid in Spain.

Tito Villa is an artist who transcends the limits of artistic creation, bringing his unique vision to the world of contemporary art. His impressive career and undisputed talent make him an essential figure on the international art scene.

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