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Riding the Wave (2021) Printmaking by Tim Southall
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1500 px | ||
|
1021 px |
| Dimensions of the file (px) | 1500x1021 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Limited Edition (#5/75)
Printmaking,
Etching
on Paper
- Number of copies available 1
- Dimensions Height 7.9in, Width 11.8in
- Framing This artwork is not framed
- Categories Printmaking under $500 Figurative Seascape
Aquatint is a printmaking technique whereby an acid resistant resin is applied to the surface of the plate. Areas of the plate are then ‘stopped out’ or blocked, by applying an acid resistant varnish. The initial stopping out creates the white areas in the image when dipped in acid. Increasing depths of tones are created by incremental dips in the acid until a full tonal range is achieved. This aquatint is printed in a bright cyan blue, this print is also available in other colours by request.
‘Riding the Wave’ is made on a copper plate. It is printed on Somerset Velvet, an off-white, heavyweight 300 gram handmade paper from St Cuthbert's Mill in Somerset. The print is in a limited edition of 75 and signed by the artist. The image size is 20 x 30 cm on a paper size is 32 x 42 cm.
Related themes
Tim Southall is a contemporary British artist hailing from a family of artists, which fostered his creative upbringing. One of his forebearers was a renowned printmaker known for transcribing J.M.W. Turner’s paintings into engravings during the early twentieth century. Tim is a graduate of the Royal College of Art in London and the École des Beaux Arts in Paris, and he has worked as a professional artist for many years.
For the past 18 years, he has divided his time between Cádiz Province in southern Spain, where he creates much of his work, and a large print studio in Birmingham, UK. As a printmaker, Tim also engages in painting, utilizing various mediums including etching, silkscreen, monotype, and oil on canvas, paper, and board.
As a figurative artist, his interests remain fairly traditional and representational. His body of work spans a broad spectrum of subjects, ranging from fluid, evocative landscapes to narrative pieces deeply rooted in the printmaking tradition. Tim strives to create art that resonates with people, aiming to reach into their souls and touch their hearts.
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Nationality:
UNITED KINGDOM
- Date of birth : 1961
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary British Artists
