What Lies Beneath #1 (2018) 绘画 由 Tim Malone

丙烯在帆布上, 11.8x11.8 in
US$437.34
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Tim Malone 出售
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Tim Malone 出售

其中的一种
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包含真实性证书
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这件作品是诬陷
这件艺术品出现在5集
  • 原创艺术品 (One Of A Kind) 绘画, 丙烯 在帆布上
  • 外形尺寸 13x13 in
    单独工作的尺寸,不带框架: 高度 11.8in, 宽度 11.8in
  • 是否含画框 这件作品是诬陷
  • 分类 画作 低于US$500 抽象主义 性质
Number one in the series of three acrylic on canvas paintings, mounted on cradled panels and box framed, ready to hang. These works were created after I experienced plastic bags and other rubbish floating around when snorkelling around the coral reefs in the Red Sea, The sight was disturbingly beautiful.
Number one in the series of three acrylic on canvas paintings, mounted on cradled panels and box framed, ready to hang.

These works were created after I experienced plastic bags and other rubbish floating around when snorkelling around the coral reefs in the Red Sea, The sight was disturbingly beautiful.

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PollutionAbstractPaintingBlueOcean

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Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach[...]

Tim Malone studied Fine Art in South Africa and subsequently worked as an award-winning advertising art and creative director for almost 40 years. Now that experience defines his artistic process. His approach to painting reflects the process in which layouts for print advertising are developed; any addition, deletion or amendment made to any part of the work impacts every other part. This means that solving one design problem often creates others, until a balanced result is finally achieved.

While Tim’s work is sometimes non-objective, it is always influenced by the social complexities, colours, shapes and textures of the places he’s lived and worked – South Africa, Saudi Arabia, England and Portugal.

Tim works in acrylic on canvas, paper and board, creating details using a variety of other media. Much of his work is  preference being hot-pressed watercolour paper, which is slightly absorbent, but allows the paint to be moved over the surface with relative ease.

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