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Chantier du Plessis (2024) Painting by Thomas Liébart
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- Packaging (Box or cardboard packaging) All artworks are shipped with a premium carrier, carefully protected and insured.
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Cardboard
- Dimensions Height 12.6in, Width 12.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $1,000 Figurative Industry
La peinture, présentée ici comme une technique désuète, tourne en rond et se travestit en artifice. L’objectif est de trouver de l'esthétique dans des lieux inhumains, reflétant la réalité de ceux qui passent leur vie dans les transports.
Ces œuvres ne sont pas vendues comme un média traditionnel mais dans leur état transitoire, capturant des instants éphémères. Les détails subtils donnent l’illusion de la précision, imitant les effets de focus de la société pour échapper au bruit ambiant, dirigeant l’attention sur ce que l'artiste choisit de montrer.
Les matières synthétiques sont utilisées pour démystifier les fétiches de la toile et de l’huile, soulignant l'absurdité d'utiliser une technique obsolète sur des matériaux modernes.
Cette serie propose une réflexion sur la place de l’art dans un monde en changement constant, où l'inaccessible et l'inhospitalier trouvent une nouvelle interprétation à travers l’art contemporain.
Originally from the countryside of Seine-et-Marne, I joined the capital to study at the Sèvres workshop, then was admitted to the decorative arts of Paris where I would make my animated film Louis. After a brief career in animated cinema, I am now a designer in industry, creating machines and mechanical systems. However, I continue to paint in my spare time, working on both the content and the form, in themes such as aesthetic alienation. I also make metaphorical ink sketches. I seek to represent unsightly, repulsive, aggressive elements, both for the intellect and the physique, finally to try to ward them off or even sublimate them. What may at first seem shocking, provocative, even outrageous, allows us to question both the past and the march of progress, to freeze a snapshot of the burdens of our time, so that future generations can enjoy, in the tranquility of these resolved questions, the aesthetics that they have left, the beauty and creativity that, despite all the noise, also resided there.
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Nationality:
FRANCE
- Date of birth : 1983
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
