The plug station (2018) Painting by Thomas Liébart

Not For Sale

Seller Thomas Liébart

Fine art paper, 8x8 in
  • Original Artwork (One Of A Kind) Painting, Acrylic on Cardboard
  • Dimensions Height 12.6in, Width 12.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Illustration Science fiction
Une représentation très incomplète, du monde dépouillé de toute une nature superflu et résumé en réseau de points de chute pour travailleurs. Il est trop représente les logements de tubes, où espace réduit au minimum afin de loger de transporter le plus de monde possible. L'horizon n'est qu'un champ de tole ou une atmosphère uniformément humidifiée [...]
Une représentation très incomplète, du monde dépouillé de toute une nature superflu et résumé en réseau de points de chute pour travailleurs. Il est trop représente les logements de tubes, où espace réduit au minimum afin de loger de transporter le plus de monde possible. L'horizon n'est qu'un champ de tole ou une atmosphère uniformément humidifiée n’a de loi que la gravité
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Originally from the countryside of Seine-et-Marne, I joined the capital to study at the Sèvres workshop, then was admitted to the decorative arts of Paris where I would make my animated film Louis. After a brief [...]

Originally from the countryside of Seine-et-Marne, I joined the capital to study at the Sèvres workshop, then was admitted to the decorative arts of Paris where I would make my animated film Louis. After a brief career in animated cinema, I am now a designer in industry, creating machines and mechanical systems. However, I continue to paint in my spare time, working on both the content and the form, in themes such as aesthetic alienation. I also make metaphorical ink sketches. I seek to represent unsightly, repulsive, aggressive elements, both for the intellect and the physique, finally to try to ward them off or even sublimate them. What may at first seem shocking, provocative, even outrageous, allows us to question both the past and the march of progress, to freeze a snapshot of the burdens of our time, so that future generations can enjoy, in the tranquility of these resolved questions, the aesthetics that they have left, the beauty and creativity that, despite all the noise, also resided there.

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