Portrait 18 : Geneviève (2022) Drawing by Thibault Zuccari

Graphite on Paper, 16.5x11.7 in
$324.35
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Fine art paper, 11x8 in

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This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Drawing, Graphite on Paper
  • Dimensions Height 16.5in, Width 11.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $500 Figurative Women Portraits
Geneviève, une vieille femme acariâtre de 82 ans, portait le fardeau des années sur son visage ridé. Son regard perçant pouvait glacer l'atmosphère, et son humeur maussade était sa marque de fabrique. Elle rejetait tout contact humain, préférant la solitude de sa demeure. Les voisins murmuraient, mais peu connaissaient le poids des souvenirs qui l'avaient [...]
Geneviève, une vieille femme acariâtre de 82 ans, portait le fardeau des années sur son visage ridé. Son regard perçant pouvait glacer l'atmosphère, et son humeur maussade était sa marque de fabrique. Elle rejetait tout contact humain, préférant la solitude de sa demeure. Les voisins murmuraient, mais peu connaissaient le poids des souvenirs qui l'avaient transformée en une coquille d'amertume.

Related themes

Grand-MèreVieille FemmeDessinPortrait

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My work is above all spiritual and psychoanalytic. It is an 'Auto-psy', a dissection of the mind, a spiritual vivisection. I like to bring rigor and surgical precision to my work, mixing elegance with the macabre, [...]

My work is above all spiritual and psychoanalytic. It is an 'Auto-psy', a dissection of the mind, a spiritual vivisection. I like to bring rigor and surgical precision to my work, mixing elegance with the macabre, refinement in a universe that is both lugubrious and luminous. It is a work of composition and decomposition, a work with 'pre-Meditation'.

I explore three areas in particular; The portrait that fascinates me by what it can convey in a look or an attitude. Scenes imbued with spirituality evoking romantic stories.

Fascinated by death and the fear it can arouse, my third area of ​​predilection, the one that I particularly like, is a work around the skinned that I call "Decrepitude" making this repulsive subject an elegant and delicate work translating through evocative forms, a pain, a feeling, a bodily sensation, an illness...

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