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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1060 px | ||
|
1500 px |
| Dimensions of the file (px) | 1060x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Collages,
Collages
on Paper
- Dimensions Height 11.8in, Width 8.3in
- Framing This artwork is framed (Frame + Under Glass)
- Categories Collages under $1,000 Conceptual Art Fashion
Collage on paper
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Exhibitions that an original work was shown:
2020
Individual Exhibition ‘Solto, se possível / Loose, If possible’, Laje 795, São Paulo, SP;
2019
1st ‘Art in box’ - Analog Edition, collective exhibition and art fair, Universidade do Papel, São Paulo, SP;
2018
Individual exhibition ‘Sobre Por / About by’, Coletivo 217, Diadema, SP;
2016
Collective exhibition ‘Espaço Novart / Novart Space’, ALESP - Legislative Assembly of the State of São Paulo, São Paulo;
Collective exhibition ‘ABC Subúrbio Operário / Workers suburb’, ABC Metalworkers Union, São Bernardo do Campo;
2015
Individual exhibition ‘Eu não quero mostrar / I don’t want to show it’, Ilva Aceto Maranesi Art Library, Pinacoteca of São Bernardo do Campo;
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Mounted frame (framed) by the brazilian framer master 'Cido Molduras', with special extra clear glass 4 mm.
Related themes
Tchago Martins, a contemporary Brazilian artist, is known for his unique approach to collage, which involves the intricate juxtaposition of diverse elements sourced from various origins. Through the use of glue and cutouts, Martins creates compositions that are characterized by experimentation, daily confrontations, and unexpected visual encounters.
Critically acclaimed visual artist and university professor, Ayao Okamoto, highlights Martins' ability to imbue his works with subverted meanings and visual disturbances, evoking a sense of unease and prompting viewers to reconsider their perceptions of the world.
Martins' art offers a rich tapestry of visual possibilities and experiments, inviting viewers to engage in a process of interpretation and exploration with each piece. Much like a musical sample, Martins' collages recycle and repurpose imagery from urban spaces, metropolises, and surroundings, offering a contemporary reading of these environments.
His compositions evoke memories of cities, blending times, places, and situations to create a complex interplay of sensations and emotions. Each viewer is invited to interpret Martins' work individually, allowing for a personal and subjective experience that expands the boundaries of abstraction and perception.
Through his innovative approach to collage, Tchago Martins challenges conventional notions of visual art, offering a fresh perspective on urban landscapes and the human experience within them. His work serves as a testament to the power of creativity and imagination in reshaping our understanding of the world around us.
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Nationality:
BRAZIL
- Date of birth : 1987
- Artistic domains:
- Groups: Contemporary Brazilian Artists
