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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
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Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1500 px | ||
|
1068 px |
| Dimensions of the file (px) | 1500x1068 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Canvas
- Dimensions Height 19.7in, Width 27.6in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative Science fiction
Yapay zekanın hayatımıza her geçen gün daha çok girdiği bu çağda sanatı bundan bağımsız düşünmek olamaz. Teknolojinin doğayla olan ikilemi ve önemi bu çalışmaların genel konusudur.
Amaç; teknolojiyle doğayı çakıştırırken her ikisinin de bir yaşam zemininde var olurken nasıl görüneceğine değinmektir.
Related themes
Tayyar Özkan was born in Turkey in 1962 and graduated from Ankara Gazi University’s Faculty of Fine Arts in 1983. He began publishing his early works between 1976 and 1989. In 1989, Özkan moved to the United States, where he embarked on a successful career in graphic and textile design, working with high-profile brands such as Tommy Hilfiger, Polo Ralph Lauren, Christian Dior, Joe Boxer, Tiffany, and Mavi Jeans, among others, from 1989 to 2018.
Simultaneously, Özkan pursued his passion for comics. His long-running comic strip Caveman debuted in Heavy Metal magazine in 1993 and continues to be published to this day. His first Caveman book was released by NBM in 1997. In 1994, Özkan collaborated with writer Joel Rose and filmmaker Amos Poe to create the mystery graphic novel La Pacifica (282 pages) for Paradox/DC Comics. He also inked four issues of The Dreaming for Vertigo/DC and contributed to Paradox's The Big Book Of... collections.
Özkan self-published four Caveman comic books and released a hardcover graphic novel through French publisher 2L Productions, which was recognized as "Book of the Month" by FNAC in France. Caveman was later published in several countries, including Spain, the Netherlands, and the UK. A full-color Caveman novel was released in Turkey in 2011.
Beyond his comic work, Özkan has directed animation films, created characters, and designed storyboards for TV commercials, films, and animated movies. He also taught a course on Sequential Art, How Comics Rule, at the School of Visual Arts in New York. His Caveman strips were featured in Guangzhou Daily newspaper in China between 2005 and 2006, and his comic strip The Age appeared in Heavy Metal in the USA in 2012-2013. Özkan continues to work as a freelancer in the same fields and, more recently, has started creating acrylic paintings on canvas,
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Nationality:
UNITED STATES
- Date of birth : 1962
- Artistic domains:
- Groups: Contemporary American Artists
