"Andropogon Downslope" (vert) (click reproductions for opt.) (2023) Painting by Tad Anderson

Seller Tad Anderson

Fine art paper, 12x8 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
FULL TITLE: ‘Andropogon Downslope', Carver Regional Park, Minnesota (USA). DETAIL:. • A lemon-yellow cluster of quaking aspen sits atop a tawny hillside of autumn grasses. • Golden and tan and russet color tones cover the sloping hillside prairie contours. • The blue sky overhead brings sunny brightness to a cheerful fall day. • Quaking Aspen (Populus [...]
FULL TITLE: ‘Andropogon Downslope', Carver Regional Park, Minnesota (USA)

DETAIL:
• A lemon-yellow cluster of quaking aspen sits atop a tawny hillside of autumn grasses

• Golden and tan and russet color tones cover the sloping hillside prairie contours

• The blue sky overhead brings sunny brightness to a cheerful fall day

• Quaking Aspen (Populus tremuloides) (Ojibwe/Anishinaabe: "azaadi", "azaadiiyatig")

• Big Bluestem (Andropogon gerardii) (Ojibwe: "mashkodekonayewashk", | Anishinaabe: "ozhaawashkowashkwinek", | Lakota: "pȟeží šašá ókhih", | Omaha-Ponca: "hade-zhide")

Related themes

Landscape ArchitecturePrairie LandscapeRural LandscapeWildflowersMinnesota

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I am a self-taught digital artist. I am a Minnesota native. My observations of Minnesota/Midwestern landscape, topography, geology, prairie, woodland, farmland, lakescape, driftless landform, and architecture [...]

I am a self-taught digital artist.
I am a Minnesota native.
My observations of Minnesota/Midwestern landscape, topography, geology, prairie, woodland, farmland, lakescape, driftless landform, and architecture on the land, help to formulate almost every piece that I create.
I work in collage-layers of digital imagery, manipulating a series of elements into my compositions. Then I use my self-created hand-drawn digital brushstrokes, to craft each digital painting.
My compositions are color-filled depictions of our region’s landforms and elements. My colors are always drawn from nature... flowering elements, foliage elements, water, sky, soil, seasons of color change. I compare the color abstractions to primitive painting palettes -- extracting raw pigment colors from crushed fruits, foliage oils, indigenous minerals, clay or mud.

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