"Dawn Breaking" (horz) (click reproductions for options) (2025) Malerei von Tad Anderson

Verkäufer Tad Anderson

Kunstdruckpapier, 8x12 in
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Vom Künstler signiertes Kunstwerk
Echtheitszertifikat enthalten
Dieses Kunstwerk erscheint in 1 Sammlungen
TITLE: 'Dawn Breaking'. On a recent trip, returning from Japan, my daughter and son-in-law gave me a beautiful book, filled with traditional Japanese haiku. A haiku in the book hooked my thoughts and reminded me of an earlier trip I had made at cherry blossom time to Washington DC, visiting my other daughter and son-in-law. We walked the Tidal Basin [...]
TITLE: 'Dawn Breaking'

On a recent trip, returning from Japan, my daughter and son-in-law gave me a beautiful book, filled with traditional Japanese haiku.

A haiku in the book hooked my thoughts and reminded me of an earlier trip I had made at cherry blossom time to Washington DC, visiting my other daughter and son-in-law. We walked the Tidal Basin in the early morning, with the cherries in full bloom.

Haiku:

Dawn breaking
cherry blossoms opening:
the gate to the pure land.

the haiku author is listed as yamamoto saimu

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Abstract Impressionism

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I am a self-taught digital artist. I am a Minnesota native. My observations of Minnesota/Midwestern landscape, topography, geology, prairie, woodland, farmland, lakescape, driftless landform, and architecture [...]

I am a self-taught digital artist.
I am a Minnesota native.
My observations of Minnesota/Midwestern landscape, topography, geology, prairie, woodland, farmland, lakescape, driftless landform, and architecture on the land, help to formulate almost every piece that I create.
I work in collage-layers of digital imagery, manipulating a series of elements into my compositions. Then I use my self-created hand-drawn digital brushstrokes, to craft each digital painting.
My compositions are color-filled depictions of our region’s landforms and elements. My colors are always drawn from nature... flowering elements, foliage elements, water, sky, soil, seasons of color change. I compare the color abstractions to primitive painting palettes -- extracting raw pigment colors from crushed fruits, foliage oils, indigenous minerals, clay or mud.

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