Faune en rouge et noir. (2024) Printmaking by Sylvie Serre

Printmaking on Paper, 15.8x11.8 in
$229.05
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This artwork appears in 1 collections
  • Limited Edition (#4/5) Printmaking, Linocuts on Paper
  • Number of copies available 1
  • Dimensions Height 15.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Printmaking under $500 Figurative Male Nudes
Estampe sur linoléum gravée à partir d'un croquis réalisé dans un atelier de "modèle vivant'. C'est la Technique "à plaque perdue" ou "gravure en réduction" dans laquelle chaque étape produit une image différente et peut se décliner en plusieurs couleurs, ici le noir et le rouge. Elle fait partie d'une série riche de l'exploitation de ce procédé. Il [...]
Estampe sur linoléum gravée à partir d'un croquis réalisé dans un atelier de "modèle vivant'. C'est la Technique "à plaque perdue" ou "gravure en réduction" dans laquelle chaque étape produit une image différente et peut se décliner en plusieurs couleurs, ici le noir et le rouge.
Elle fait partie d'une série riche de l'exploitation de ce procédé. Il est assez long, réclame du soin et un repérage rigoureux entre les différentes presses.

Related themes

FauneModèle VivantCroquisGravureEstampe

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Born in 1952 in the French Ardennes, I have lived and worked in the south of France since 1981. I have been exhibiting in the Gallery and participating in Salons since 1996. Incorrigible self-taught, I completed [...]

    Born in 1952 in the French Ardennes, I have lived and worked in the south of France since 1981. I have been exhibiting in the Gallery and participating in Salons since 1996.


   Incorrigible self-taught, I completed my technical training through technical internships and attended the Beaux Arts workshops of Toulon and Marseille for several years; in particular, I discovered nude drawing, which continues to excite me as much as quick sketches made outdoors.


    My old practices of film photography or painting on silk and those of today, engraving, ceramics, sculpture, support my work fond of their very particular effects: contrast of black and white, gray gradients, set of Batik, bright colors of watercolor, cracks, continuous groove of the gouge... But it is the line that I like and its dialogue with color guides my creations towards a final balance that I hope is pleasing to the eye.


    If we have to talk about approach, mine consists of fleeing them all because my compass follows the always renewed pleasure of creating. Artistic paths necessarily diverse, open-ended, graphic over a line that goes without the words that would justify his digress.

Sylvie Serre 

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