Santa muerte (2025) Sculpture by Sylvie Bublex

Seller Sylvie Bublex

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Wood Stretcher frame
  • Original Artwork (One Of A Kind) Sculpture, Clay on Wood
  • Dimensions 31.5x23.6 in
    Dimensions of the work alone, without framing: Height 16.9in, Width 11.8in / 4.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Symbolism Female nudes
Bas relief. Catrina contemporaine revisitée sensuelle et mystérieuse. Hommage aux traditions qui dansent avec la mort, et aux femmes qui n’ont pas peur de l'embrasser. About this artwork: Classification, Techniques & Styles. Clay. Sculpture technique using as a raw material a malleable soil that can have different colors. Technic Sculpture. Sculpture [...]
Bas relief.
Catrina contemporaine revisitée sensuelle et mystérieuse.
Hommage aux traditions qui dansent avec la mort, et aux femmes qui n’ont pas peur de l'embrasser.
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Sylvie Bublex is a contemporary French artist. Her distinctive artistic essence lies in the diverse array of techniques, mediums, and materials she employs, guided by an unrestrained and wandering imagination. [...]

Sylvie Bublex is a contemporary French artist. Her distinctive artistic essence lies in the diverse array of techniques, mediums, and materials she employs, guided by an unrestrained and wandering imagination. A fusion of tenderness, audacity, and cynicism, she sculpts, carves, shapes, arranges, and paints, utilizing clay, papier-mâché, plaster, resin, wood, weathered metals, aged objects, as well as elements like rope, fabric, leaves, and feathers – gathered through her journey and inspiration.

Her remarkably unique body of work captures the dissonance and chaos of the world, offering a response to the spectacle of modernity while exploring the vulnerability of our convictions and lives. It beckons us into a realm of imagination, where the darkest shadows illuminate, the extraordinary becomes disconcerting, and where the most profound abysses enlighten.

Fantastic entities, part-human, part-animal, part-angels, and part-demons, prompt introspection about our animalistic essence, our origins, and the scars of our spirits. As though we are all wounded creatures, steeped in vanity and pride, confined within a colossal enclosure where each solitary being fiercely battles for survival in a fading world.

Amidst joy and humor, life and death converge in a macabre dance, a celebration both grim and fantastical. The artist persists in her work, urging contemplation on the destiny of this intricately afflicted world.

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