Je t'aime moi non plus (2024) Sculpture by Sylvie Bublex

Seller Sylvie Bublex

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Sculpture, Plaster on Wood
  • Dimensions Height 19.7in, Width 13.8in / 6.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Symbolism Dark Fantasy
Dans cette œuvre les deux crânes dansent ensemble en un échange contradictoire. Une attraction inévitable entre amour et répulsion. Que ressentez-vous en les observant? About this artwork: Classification, Techniques & Styles. Plaster. Sculpture technique using a white powder obtained by cooking and grinding gypsum and which, when mixed in water, hardening [...]
Dans cette œuvre les deux crânes dansent ensemble en un échange contradictoire.
Une attraction inévitable entre amour et répulsion.
Que ressentez-vous en les observant ?

Related themes

BaiserSkullAmourDésamourCrane

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Sylvie Bublex is a contemporary French artist. Her distinctive artistic essence lies in the diverse array of techniques, mediums, and materials she employs, guided by an unrestrained and wandering imagination. [...]

Sylvie Bublex is a contemporary French artist. Her distinctive artistic essence lies in the diverse array of techniques, mediums, and materials she employs, guided by an unrestrained and wandering imagination. A fusion of tenderness, audacity, and cynicism, she sculpts, carves, shapes, arranges, and paints, utilizing clay, papier-mâché, plaster, resin, wood, weathered metals, aged objects, as well as elements like rope, fabric, leaves, and feathers – gathered through her journey and inspiration.

Her remarkably unique body of work captures the dissonance and chaos of the world, offering a response to the spectacle of modernity while exploring the vulnerability of our convictions and lives. It beckons us into a realm of imagination, where the darkest shadows illuminate, the extraordinary becomes disconcerting, and where the most profound abysses enlighten.

Fantastic entities, part-human, part-animal, part-angels, and part-demons, prompt introspection about our animalistic essence, our origins, and the scars of our spirits. As though we are all wounded creatures, steeped in vanity and pride, confined within a colossal enclosure where each solitary being fiercely battles for survival in a fading world.

Amidst joy and humor, life and death converge in a macabre dance, a celebration both grim and fantastical. The artist persists in her work, urging contemplation on the destiny of this intricately afflicted world.

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