"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Photography,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
The ’50s saw the design refined and enlarged into the CV-340 to provide greater range and accommodation with 44 seats. The CV-440 was a further refinement intended to compete with newly introduced turbo-props however in its piston engined form, the CV-440 “Metroliner” had reached its limit. When production ceased in the mid ’50s, nearly 1200 aircraft in this family had been produced.
Related themes
Stuart Row, born 1962, is a photographic artist based in Milton, New South Wales, Australia. His passion lies in creating unique images of historic racing cars. Each work begins with one or more digital photographs, carefully taken to capture the essence of the iconic vehicles. These images are then enhanced and transformed using Photoshop, where Stuart Row combines his technical expertise with his artistic vision to produce works that are both dynamic and visually captivating.
His work is distinguished by a meticulous approach to digital retouching, allowing him to enhance details and add an artistic dimension that transcends simple snapshots. Through his works, Row celebrates not only the timeless aesthetic of historic racing cars, but also the technical innovation that allows him to push the boundaries of traditional photography.
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Nationality:
AUSTRALIA
- Date of birth : 1962
- Artistic domains:
- Groups: Contemporary Australian Artists
