correttezza (2024) Drawing by Stefano Galli

Pastel on Paper, 9.1x12.6 in
$515.94
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Una buona idea. -Ho notato che tua figlia è tornata dalle vacanze maturata; mi pare più seria, responsabile e attiva; si vede. che il tempo passato sulla luna a guardare terrestri le è servito, insomma non è stata quella rottura di. scatole di cui si lamentano tutti. - hai notato bene, mia figlia è cambiata e ti posso dire che questa volta l’osservazione [...]
Una buona idea

-Ho notato che tua figlia è tornata dalle vacanze maturata; mi pare più seria, responsabile e attiva; si vede
che il tempo passato sulla luna a guardare terrestri le è servito, insomma non è stata quella rottura di
scatole di cui si lamentano tutti.
- hai notato bene, mia figlia è cambiata e ti posso dire che questa volta l’osservazione dei terrestri non è
stata inutile per lei. Proprio per noia, invece di passare le giornate a ridere per le demenziali stupidaggini
dei terrestri, ne ha seguito uno dalla nascita ed è stato proficuo. Ha anche pianto per la sua morte.
- davvero? Molto interessante. Potremmo utilizzare la cosa a fini didattici; anzi a fini formativi per il
carattere dei giovani ed in questo caso potremmo esibire l’esperienza vissuta da tua foglia come esempio
della qualità di quanto proposto e farci un po’ di soldi.
- sei il solito vulcano di idee, però queta volta non ti seguo.
- prepariamo un pacchetto fatto di tre elementi: una vacanza sulla luna; una applicazione didattica reale; il
materiale didattico. Con tutti i figli debosciati della galassia ne venderemo a milioni.
-per quanto riguarda la vacanza va bene ma…le altre due voci?
- l’applicazione didattica è la ripetizione dell’esperienza di tua figlia; per il materiale didattico c’è un intero
pianeta pieno di gente.
-ti faccio notare che mia figlia impegnò tutte le vacanze nel seguire l’intera vita del terrestre. Come puoi
proporre un corso così lungo?
- è semplice: basta accorciare la vita del terrestre.
- ma, è contro ogni regola galattica, in alto… se ne accorgeranno subito!
- con tutte le guerre inutili che fanno, guerra più o guerra meno, chi ci farà caso!? Inoltre, si ammazzeranno
fra di loro; noi registreremo la fine di quelle migliaia che ci interessano rimanendo nella legalità.
- messa così mi pare una buona idea; non siamo certo terrestri, l’importante è essere corretti!

Related themes

UmorismoMetarealismoGuerraAmiciziaIronia

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational [...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

The Artist was highlighted in an article in ArtMajeur Magazine:

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