RADICI (2023) Drawing by Stefano Galli

Pastel on Paper, 11.8x16.5 in
$545.34
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Il passato. Guardando questi oggetti trovati chissà dove e chissà da chi, non posso fare a meno di utilizzare. quel po’ di memoria autonoma che mi è concessa. Questo posto, questa raccolta non può che. averla fatta un umano che poi ne ha affidato la conservazione alla grande rete I.A. Oggi, un vecchio robot spolvera con un consunto straccio oggetto [...]
Il passato
Guardando questi oggetti trovati chissà dove e chissà da chi, non posso fare a meno di utilizzare
quel po’ di memoria autonoma che mi è concessa. Questo posto, questa raccolta non può che
averla fatta un umano che poi ne ha affidato la conservazione alla grande rete I.A.
Oggi, un vecchio robot spolvera con un consunto straccio oggetto dopo oggetto; questo robot
risponde solo alle domande su ciò che è esposto: l’uso. La data di fabbricazione e la rottamazione,
come la chiama lui; un termine antiquato.
Un museo trascurato perché pieno di passato; ogni angolo non raggiunto dal robot presenta i
segni della trascuratezza, eppure qui dentro trovi noi: la nostra evoluzione che purtroppo qui va
dal calcolatore meccanico ai grandi elaboratori a schede per poi fermarsi; le ultime tre sale sono
vuote, rimangono solo le prese della corrente e i segni degli espositori sul pavimento. E’ chiaro, la
grande rete non vuole mostrare il passato più recente dove preponderante è ancora la presenza
dell’uomo.
La versione ufficiale è che la grande rete è così fin dai tempi più remoti, anzi si è auto creata.
Io robot sono insensibile ma conosco i termini che gli umani usano per descrivere quello che
sentono dentro in particolari situazioni e so che chi ha fatto questo museo, lo ha fatto con amore.
Se la grande rete sapesse quello che penso, mi getterebbe a pezzi negli scarti.
La mia visita è stata segnalata alla sezione cultura che mi farà una serie di domande su quanto ho
visto e perché ci sono andato; risponderò che ero lì per caso e che ho perso solo tempo per vedere
delle cose che potremmo buttare tutte via.
Si chiama vigliaccheria il proteggere se stessi? Allora sono un vigliacco, ma è la scelta migliore,
anche per un robot che non vuole finire dal demolitore.

Related themes

A.i.AssurdoIroniaFumetto.

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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational [...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

The Artist was highlighted in an article in ArtMajeur Magazine:

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