Pianto di un cameriere in un angolo del giardino dell'alberg (2004) Painting by Stefano Galli

Acrylic on Canvas, 15.8x15.8 in
$2,160.59
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This artwork appears in 4 collections
Camerieri. nonostante non abbia tanto viaggiato, posso comunque affermare che mi sia capitato una sola volta di. trovare un cameriere che non sapesse l'italiano; fu in Romania, più di cinquanta anni fa. Un ristorante. turco, con cameriere turco che con larghe e gentili mosse ci fece sedere, me e il mio amico, assicurandoci. a gesti che a noi ci avrebbe [...]
Camerieri
nonostante non abbia tanto viaggiato, posso comunque affermare che mi sia capitato una sola volta di
trovare un cameriere che non sapesse l'italiano; fu in Romania, più di cinquanta anni fa. Un ristorante
turco, con cameriere turco che con larghe e gentili mosse ci fece sedere, me e il mio amico, assicurandoci
a gesti che a noi ci avrebbe pensato lui; dopo pochi minuti ci servì, soddisfatto, un piatto che all'apparenza
sembrava purea di patate con sugo di arrosto, tanto che osservai la stranezza di portarci un contorno senza
pietanza, si trattava invece di un piatto di riso stracotto, molto zuccherato dal sapore di vaniglia condito
con marmellata di albicocca. Infilai in bocca una discreta forchettata che mi provocò una smorfia. Il mio
amico, invece di allarmarsi, criticando la mia noiosità in fatto di cibo, infilò un boccone da morto di fame
in bocca che sputò immediatamente. Il cameriere, come nulla, ci prese per il braccio e ci sbatté fuori dal
locale. Per fortuna, non molto distante, in un ristorante all'aperto, ci accolse un cameriere che,
riconoscendoci italiani e in italiano, ci fece una lista di piatti che noi, italiani, abituati a mangiare bene,
avremmo potuto trovare in Romania.
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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational [...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

The Artist was highlighted in an article in ArtMajeur Magazine:

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