Old Stones Infra Provence (2019) Photography by Steevens Hill

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Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Aluminium
This artwork appears in 4 collections
Infrared digital photography "Old Stones Infra Provence" (N° 1/5) is part of the collection entitled "Spectral Vision, the other reality". A scorching July day, back from Arles, full Provence, a visual shock forces me to stop my vehicle immediately on the roadside...
Infrared digital photography


"Old Stones Infra Provence" (N° 1/5) is part of the collection entitled "Spectral Vision, the other reality".



A scorching July day, back from Arles, full Provence, a visual shock forces me to stop my vehicle immediately on the roadside...


An old ruin abandoned in the open fields, the weather is magnificent, a blazing sun, a very dry field, and in its center... This battisse that immortalizes the moment.



The building offers protection to the latest open-air plants.



The vegetation seems to be suffering, so I decide to stay here with my equipment, a long time will be necessary to transcribe the emotion, the messages. The infrared technique will allow me to support my captures and the history in place and places.



The fusion of stone and vegetation are one.... It is a revelation of a scene within the limits of realism and surrealism, something abstract emerges... Each material is complementary to the other, the stone protects the roots in the center of the ruin and will produce the necessary water supply, such as a dew trap... Then, in turn, the density of the hardwood at the top of the structure gives protection and strengthens the structure...



This moment is strong, real and strengthens our subconscious, it is reached and makes us aware.



Every moment of my work is authentic, it spontaneously emerges during a moment of evidence, outside, inside. With organic or not, during a walk, and in moments of creations inspired by strong emotions.



It is a journey from which we know neither the journey, the time nor the destination, but our deep and unconscious nature is only waiting to emerge.


Together, let us be open and observant, everything in the visible and invisible is real!


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*Original work limited to 5 copies, signed and accompanied by its certificate of authenticity.

Length: 60cm
height: 40 cm
Thickness: 2 cm


Available on request, possibility to customize the size of the fine art print and the type of media.

*Dilite lamination on aluminium plate (dibon)

Fine Art Printing "Fine Art" - Hahnemühle Fine Art Baryta 325 g
American case, 5 cm wooden stick

Paper very slightly textured, bright, velvety

Very fine and soft surface allowing to obtain intense colours and deep blacks with an excellent resistance to ageing


Fine Art" art lamination on rigid aluminium support, in order to guarantee an exceptional lifetime for printing on aluminium

Rear hanger: chassis retracting to the back to detach the image from the wall and allow it to be fixed



---- French Version ----


Photographie numérique Infrarouge


"Old Stones Infra Provence" (N° 1/5) fait partie de la collection intitulée "Spectral Vision, the other reality".



Une journée caniculaire de juillet, de retour d'Arles, la pleine Provence, un choc visuel m' oblige à stopper mon véhicule immédiatement sur le bas-côté...



Une vieille ruine abandonnée en plein champs, le temps est magnifique, un soleil de plomb, un champ très sec, et en son centre...Cette battisse qui immortalise le moment.


L'édifice offre sa protection aux dernières plantes à ciel ouvert.


La végétation semble souffrir, je décide alors de m'attarder en ce lieu avec mon équipement, un long moment me sera nécessaire pour transcrire l'émotion, les messages. La technique infrarouge me permettra d'étayer mes captures et l'histoire en place et lieux.



La fusion de la pierre, de la végétation ne font qu'un... C'est une révélation d'une scène dans la limite du réalisme et du surréalisme, il en ressort quelque chose d'abstrait.. Chaque matière est complémentaire de l'autre, la pierre protège les racines au centre de la ruine et produira de l'apport en eau nécessaire, tels un piège à rosée... Puis à son tour, la densité du feuillu, sur le haut de l'ouvrage, donne à son tour sa protection, et renforce la structure...


Ce moment est fort, réel et renforce notre subconscient, il est atteint et nous conscientise.


Chaque instant de mon travail est authentique, il surgit spontanément lors d'un moment d'évidence, en extérieur, en intérieur. Avec de l'organique ou non, lors d'une balade, et dans des instants de créations inspirés d'émotions fortes.



C'est un voyage dont on ne connaît ni le trajet, la durée et la destination, mais notre nature profonde et inconsciente ne demande qu'à émerger.


Ensemble, soyons ouvert et observateur, toute chose dans le visible et l'invisible sont bien réels !


-----


*Oeuvre originale limitée à 5 exemplaires, signée et accompagnée de son certificat d'authenticité.


Longueur : 60cm
hauteur : 40 cm
Épaisseur : 2 cm


Disponible sur demande, possibilité de personnaliser la dimension de l’impression fine art et du type de support.



*Contre collage dilite sur plaque aluminium (dibon)


Impression d’art « Fine Art » – Hahnemühle Fine Art Baryta 325 g



Caisse américaine, Baguette bois de 5 cm



Papier très légèrement texturé, lumineux, rendu velouté




Surface superficielle très fine et douce permettant d’obtenir des couleurs intenses et des noirs profonds avec une excellente résistance au vieillissement.


Contre-collage impression d’art « Fine Art » sur support aluminium rigide, afin de garantir une durée de vie exceptionnelle à l’impression sur aluminium.



Accroche arrière : châssis rentrant au dos afin de décoller l’image du mur et de permettre sa fixation

Related themes

ProvenceCountryRuineBatisseOld Stones

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Hello, I recommend that you consult my artist statement and my complete biography on my website:. ww.steevenshill.art. Brief biography. Steevens Hill was born in 1971...then the adventure[...]

Hello, I recommend that you consult my artist statement and my complete biography on my website:.

ww.steevenshill.art.

Brief biography.


Steevens Hill was born in 1971...then the adventure continues....
As a child, I was already intrigued by my environment, but especially by the questioning of our physical existence, our place on earth. It can be said that his relationship with nature, with matter in all its forms, fascinates him.

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To find with one's neighbour one's place, in all situations of life, with this awareness of "being"... Images, dreams, drawings, photos, already a feeling of need, to create to give meaning to this awareness, and to make it live at all costs through small experiences, the desire to learn and to multiply opportunities...

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In these words, the thoughts, the images, the "photosensitivity" of his person, revealed his place and his ability to feel things around him, the mineral, the vegetable, the animal, the invisible. The fact of capturing the present moment, and expressing it, the mental vision of these moments and desires have intrinsically revealed this attraction to photography...

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A life in the tertiary sector, then in sport, did not overwhelm the sleeping artist. This "coming-out", the one-way ticket with no return, is nowadays unequivocal..

He therefore takes advantage of this professional triptych of author-writer to rely on the status of author-photographer to reveal himself.

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His first wishes are first of all to "set up", to announce his first choices, clichés, collections responding to different themes of "abstract reality", "the invisible", phantasmagorical, "lyrical", "abstract expressionism" in this contemporary world...

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Today, it goes to the essential, there is no longer any conditioned reflection. He must bring out repressed feelings, joys, fears, love, questions in his work. He has always been "him", but today, without restraint.

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As a gift, seeing the other's gaze welcoming you is the most beautiful thing there is... We all have our audience, He intends to give as many people as possible another look at our existence, our environment, and that everything in the visible and the invisible is very real...

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It is enough to see, to be in the resonance of a photo, a sculpture, a painting. The artist's message and her inner questioning ! it is a rebirth that gives me more inspiration to communicate to everyone about our presence, in the depths of our being.

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To feel this inseparable whole from matter, images, thought, and to knock at the door of our unconscious, to finally reach universal consciousness...

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Steeven Hill

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