Even More Frightening Without a Mask (2025) Dijital Sanat Sofia Markina tarafından

Güzel sanatlar baskı kağıdı, 12x7 in

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  843 px  

1500 px
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Sanat resim bankası
  • Bu çalışma bir "Open Edition" dır. Dijital Sanat, Giclée Yazdır / Dijital baskı
  • boyutlar Çeşitli boyutlarda
  • Birkaç destek mevcut (Güzel sanatlar baskı kağıdı, Metal baskı, Tuval Baskı)
  • Çerçeveleme Çerçeveleme mevcut (Yüzer Çerçeve + Cam Altı, Çerçeve + Akrilik Cam Altında)
  • AI tarafından oluşturulan görüntü Sanatçı bu görüntüyü yapay zeka teknolojisini kullanarak oluşturdu
  • Kategoriler Gerçeküstücülük Mitoloji
The painting depicts a mythical creature with dragon-like features, covered in gray-green scales. Its eyes burn with red fire, and spikes and limbs give it an intimidating appearance. In the background, there is a desert landscape with two towers and a crimson moon casting an ominous glow over the scene. The creature stands on the ground, with small [...]
The painting depicts a mythical creature with dragon-like features, covered in gray-green scales. Its eyes burn with red fire, and spikes and limbs give it an intimidating appearance. In the background, there is a desert landscape with two towers and a crimson moon casting an ominous glow over the scene. The creature stands on the ground, with small figures—resembling humans or other beings—visible in the distance.

The towers symbolize power, grandeur, and protection, as well as aspirations and ambitions. Their height evokes feelings of isolation and loneliness, while their mystical connection hints at magic and mythology. The title, "Even More Frightening Without a Mask," emphasizes that the true essence can be scarier than appearances. The crimson eyes and moon enhance the atmosphere of mystery and threat: the eyes evoke anger and magic, while the moon signifies night, transformation, and the unknown. The color palette, dominated by gray-green, crimson, and dark tones, creates a sense of danger and magic, highlighting duality and internal threat.

Overall, the painting has a dark, mysterious, and ominous atmosphere. The desert landscape and the solitary creature evoke feelings of loneliness and danger, with contrasts of light and shadow emphasizing the dual nature and unpredictability. The artwork conveys the idea that behind the mask lies something more frightening and unpredictable, provoking strong emotions and reflection.

İlgili temalar

Mythical CreatureDragon-LikeScalesCrimson MoonTowers

Otomatik olarak çevrildi
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Sofia Markina, a candidate of technical sciences and a retired associate professor with 40 years of experience, has always found joy in creativity throughout her life. Although her primary career was deeply rooted [...]

Sofia Markina, a candidate of technical sciences and a retired associate professor with 40 years of experience, has always found joy in creativity throughout her life. Although her primary career was deeply rooted in science, she consistently and joyfully engaged in knitting, creating models, and selecting patterns. She crafted dresses, bags, swimsuits, and hats, infusing her daily life with creativity on a practical level.
Until recently, painting was a closed door for her. An art teacher once told her in school, "This is not for you, girl," and she believed him. However, during the pandemic, she learned about right-brain drawing and decided to explore this new avenue. This exploration became a revelation for her: she completed several courses, attended the Rumak School, fell in love with acrylics, and hopes she has finally found her unique style. Despite lacking formal artistic education, she has participated in twelve exhibitions and an art tour of Baikal.
Sofia Markina is a contemporary Russian artist. In her works, she strives to capture the fleeting images of our short lives, their multilayered nature, and complexity. She explores how we perceive ourselves and see others. Her fantastical, collage-like narratives are full of vibrant color experiments. Technically, she creates rich compositions filled with numerous characters, allowing the viewer to feel and embody various situations.
Sofia invites the viewer to collaborate: one does not see with just the eyes but with the mind. She outlines the painting and gives hints through color, leaving space for interpretation. What the viewer sees will form their own story in their mind, if they choose to see, if they wish to engage, if they are able. This concept is reminiscent of an old Dadaist game: "Find it, understand it, piece together this puzzle in your mind."
The illusion of perception is a distorted evaluation of either a real or fantastical image, creating a discrepancy between what a person sees and what exists in reality. Each individual will be absolutely convinced of their own correctness and may fervently defend their viewpoint or, conversely, pass by indifferently, perhaps tired or preoccupied. However, it may be worth taking a closer look once more, and you might see an entirely different story.

Sofia Markina daha fazla sanat çalışmalarını gör !

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